A certain wear & tear has started to set in already. This years Piksel has a very tight schedule, and by the simple fact that new people are coming & leaving constantly makes it less of a MadMax road movie than last years event. Is this good or bad? I guess both. It seems anyway that the social part of Piksel is now somehow more dispersed than last year - and it is no longer a matter of "us against them". And there is definitely something to learn for most of us in terms of communicating our visions to a larger public.
Todays workshop sessions were concentrated on GEM (by James) and VeeJay (by Mathiis and Niels). I wasn't there, but the always revealing webcam installed at the 3rd floor showed many people gesticulating wildly, so I everything OK I guess.
The evening programme this tuesday night started late, because mr Prodromos Tsiavos from Creative Commons in the UK missed several plains from London and Oslo. Well, he finally arrived around 10.30pm and gave us an introduction to the ideas and aims of the Creative Commons licencing system. It pretty quickly became clear that CC system is not really compatible with software development, since the GNU/GPL family of licences are so well established. The CC licences first and foremost apply to media content, basically music but also obviously text, video etc. At the moment they have 11 licences which basically consists of a mix-and-match between these four elements:
1) Attribution
2) Noncommercial
3) No derivative
4) Share Alike
Most of these are pretty similar to existing software licences in principle, but Prodromos pointed out how they work totally differently within the legal system. Most musicians/composers have their work registered within the collecting societies of their respective countries, and this poses a big problem for the establishment of CC licences in todays digital world, where artworks (at least the good ones) normally don't confine themselves within national borders. So currently CC is based on work by lawyers in many countries working for free, and it is going sloowly!! So there are many challenges ahead, but there seem to be a good wind of Open Sourcing (with emphasis on Open) blowing across many parts of the world, and the CC initiative has definitely something going for it - IF one support the idea of any kind of copyright at all, that is!
The CC people are working constantly on new licences, as for example a set of new sampling licences (which should be quite relevant for many Piksel DJ/VJ/samplist participants). Here it is possible for artists to allow sampling of their work for different purposes. The sampling licence project work is led by longtime sampling activists Negativland (USA) and Vicky Bennett aka People Like Us (UK). Currently they have come uo with the idea for three proposed sampling licences:
1) Sampling
2) Sampling Plus
3) Noncommercial sampling plus
Read more at http://creativecommons.org/projects/sampling |