Planet Piksel

May 16, 2012

tagr.tv

Donaufestival 04.05.2012

Nach einer 2-jährigen Auszeit meinerseits vom Donaufestival begab ich mich dieses mal mit dem Vorsatz nach Krems mir das ganze Spektakel mit allem drumherum, inklusive Ausstellungen anzusehen. Aus Zeitgründen wurde daraus dann nur ein kleiner Spaziergang durch Krems mit anschließender Abendveranstaltung.

In der Kunsthalle durfte ich meinen Kopf in John Bocks Rauminstallation “krumme Verwirrungen mit Zinseszinsen” stecken. Ein verschachteltes, an Kinderspielplatzhäuschen erinnerndes Holzgestell, in dem Bock Monitore platziert, die 11 seiner  in den letzten 7 Jahren entstandenen Videos abspielen. (noch zu sehen bis 24. Juni, www.kunsthalle.at)

Im Kino im Kesselhaus hielt Robert Seidel einen Vortrag, eine Art “Artist Talk”, über sein weltweites Schaffen als Visualist in der Kunstszene. Anschließend gabs dann eine 20 minütige Performance, abstrakte Bilder auf die Kinoleinwand projiziert, begleitet mit Live-Sound. (www.robertseidel.com)

Lustmord, ein walisischer Industrial- und Dark-Ambient-Musiker, auch Sound Designer, durfte die Minoritenkirche bespielen. Eine dunkle Klangkollage, untermalt mit sich verformenden Feuer-Tintenklecksbildern, abermals nur auf einer rechteckigen Fläche präsentiert. Dröhnenden Bässe brachten die Fenster des Klangraumes zum klirren. (www.lustmord.com)

Beim Messegelände angekommen hopsten schon Sabina Marte mit ihrer Performance “Hotel Totale” auf der Bühne. Die 2 Damen bedienen sich 3er Projektionsflächen und elektronischen Beats zur erzählung ihrer Narration. Als weitere Akteurin taucht immer wieder die Hotelmanagerin auf der Leinwand auf, klatscht Beifall und gibt den Performerinnen Anweisungen. Abgelenkt von einem hungrigen Bauch, einem großen Bier und eine lang nicht mehr gesehene Bekannte konnte ich nicht die ganze Geschichte mitverfolgen.

Endlich wars dann soweit: meine 2 Hauptgründe dieses Festival zu besuchen:

Chris Cunningham: Ein britischer Regisseur, der Ende der 90er Musikvideos, vor allem in meinem damaligen Genre, drehte. (Placebo, Portishead, Autechre, Aphex Twin, Björk, Leftfield, Squarepusher,…. auch Madonna  siehe: http://www.popzoot.tv/cliparchiv/suche.php3?search=chris+cunningham)

Ursprünglich studierte er Malerei und Bildhauerei, beschäftigte sich weiter mit Silikonmodellen und Speziealeffekten, arbeitete als Assistent in amerikanischen Science-Fiction-Filmen, entwickelte dort Roboter und Kreaturen, wobei er auch Stanley Kubrik kennenlernte, für den er in “A.I.-Künstliche Intelligenz” mitwirken sollte, welcher damals aber nicht fertig gestellt werden konnte. 1999 erhielt er hierzulande gemeinsam mit Aphex Twin´s “Come to Daddy” den Prix Ars Electronica. 2000 wurde seine, ebenfalls mit Aphex Twin produzierte Rauminstallation “Flex” in der Royal Academy of Arts in London ausgestellt, die 2 nackte, sich ringende und prügelnde Menschen zeigt. Sein Kurzfilm “Ruber Johnny” (2005) zeigt das Leben eines durch Inzucht gezeugten und von seinen Eltern in einen Keller gesperrten Kindes.

In seinen Videos herrscht strenge Synchronisation von Bild und Ton vor. Digitale Effekte und Schnitt werden an die Rhythmik der Musik angepasst, menschliche Körper deformiert, transformiert und technisiert, im Gegenzug dazu Roboter humanisiert (siehe Björk-Video “All is full of Love”).

Die letzten paar Jahre hat er sich doch immer mehr dem Sound zugewandt und produzierte für Grace Jones und Gil Scott-Heron. chriscunningham.com

Pantha du Prince: Ein deutscher Musikproduzent und DJ, der mit seinen elektronischen Beats kaum vom Raster abweicht, es aber dann doch fein untermalt mittels Glockenklängen oder derart wieder auflöst. Sein letztes Album “This Bliss” besteht zum Teil aus Fieldrecordings der Schweizer Alpen. Er versuchte hier das unhörbare hörbar zu machen, geschnürt zu einem clubfähigen Sound. www.panthaduprince.com

Es war wirklich interessant zu sehen, was die beiden Herrn so live auf der Bühne von sich geben:

Chris Cunningham erschien mit einer schüchternen Handgeste begrüßend, um sich gleich darauf wieder hinter seine schwarzen Pulte zu verkriechen. Am Screen konnte man mitverfolgen wie ein Stecker angeschlossen wurde. Der Sound startete und drei Laser strahlten quer durch die Halle, um an der Rückwand immer wieder aufflackernde Muster zu erzeugen. Bilder, vorwiegend technischer Natur, lösten sich langsam mit menschlichen Gestalten ab. Auf 5 Projektionsflächen der großen Halle des Festivalgeländes würfelte Chris Cunningham sein, zum Teil schon bekanntes Videomaterial abwechselnd mit Lasershow synchron zum Ton auf. Ein Mädchen, deren Lippen sich aufrollten, deren Körper sich aufbäumt, Bilder der Rauminstallation “Flex”, die tanzende Frau aus seinem The Horrors-Video, ein entfremdetes Mädchengesicht aus einer seiner Promotionvideos und auch Grace Jones Körper, zuckend zum Sound, war zu sehen.

              

              

 

Diesmal in blau gehüllt, performte Pantha du Prince die Songs der letzten Platte, ausgeschmückt und in die Länge gezogen.

Die vom Donaufestival vorangekündigte “Lichtshow” bestand aus einem Würfel mit einer Größe von ca. 0,5 x 0,5 m, der neben seinem Equipment platziert war und ein Mobile in sich trug, das mit kleinen Ventilatoren in Bewegung versetzt wurde. Dieses Mobile konnte man abgefilmt, in unerkenntlich vergrößerter Art und Weise auf den 5 Screens betrachten.

Leider bin auch ich ein Opfer der zum falschen Zeitpunkt versagenden mobilen Gerätschaften und konnte keine Bilder davon schießen. Ein netter Mann mit Kamera, den ich darum ersuchte, wollte mir mailen, er hat sichs aber dann doch anders überlegt oder ich hab ihm meine Adresse falsch in sein I-Phone getippt.

Das Donaufestival arbeitet sehr strikt daran den Rauchern ein garaus zu machen. Die Konzerte der Halle 2, die sich zeitlich punktgenau mit denen der Halle 1 abwechseln, sind bei mir dadurch ein bisschen verdunstet.

Die Allgemeinstimmung, soweit ich das beurteilen konnte, war hier wesentlich heiterer und ausgelassener als bei den vorhin beschriebenen Events. Das mag wahrscheinlich auch an den Performern selbst liegen, die wesentlich mehr Nähe zum Publikum aufbauten (was aber nicht heißen muß, das nicht heiter = schlecht ist)… oder vielleicht lags auch einfach nur an den bunten Bildern, ohne Blut und Gewalt, und ohne der Kälte von Panda du Princes blau.

Felix Kubin wurde ebenfalls von live gefilmten Visuals begleitet, allerdings von Martha Colburn, die intuitiv mittels fächern oder anderen Tricks vor der Kamera analoge Effekte erzeugt und the Walls hatten zur Ausnahme an diesem Abend mal ein “echtes” Musikinstrument dabei- eine Gitarre- allerdings auch nur elektronisch. www.felixkubin.comwww.marthacolburn.com

 

 

 

by annasusannaanna at May 16, 2012 01:25 PM

Pixelache

Open Call: Cartes Flux 2012 Festival of New Media Art

Open Call: Cartes Flux 2012 Festival of New Media Art

Cartes Flux calls for Digital Artists and Filmmakers to participate in the selection for the festival of New Media Art. The call is for Finnish and international experimental and innovative new media art works with a fresh and unique approach. The focus is on art works which are movable and suitable for public spaces.

Deadline is May 28, 2012!

The sixth Cartes Flux takes place in October 2012 and is hosted by CARTES Centre of Art and Technology Espoo, Finland. The Festival program consists of installations, screenings, artist talks, workshops and live performances. The main festival venues are in Espoo and Helsinki.

More information:
Cartes: www.cartes-art.fi
Cartes Flux 2011: www.cartes-art.fi/flux2011

by kati at May 16, 2012 10:12 AM

Art and Technology studies start in Aalto University

Art and Technology studies start in Aalto University

Aalto University introduces Art and Technology, a multi-disciplinary study module that is targeted to MA level students and starts in the academic year 2012‐13. It brings media art and electronic art for the first time as independent subjects to the curriculum of the university. The study module combines media artistic thinking and practice with the aesthetic and philosophical foundations of the field. Students are encouraged to cross over boundaries between technology, art and design.
Application deadline: 31 May, 2012.

Content

The emphasis is on interactive artworks that are spatial, embodied, or mobile. The course works typically utilize computers and electronics for artistic expression. Some topics to be covered are interactive installations, experimental user interfaces, wearable electronics, and ubiquitous technology. In addition to artistic projects there will be studies in media art history and the technical tools that are needed. The main language is English.

To whom?

Students from a variety of backgrounds are welcome to apply to the study module – such as various fields of art, media, technology and human sciences. All masters level degree students at Aalto University are entitled to apply, as well as exchange students, and students from other universities within the JOO agreement. If you’re uncertain if this module would suit your study profile please get in contact with the organizers (see contact info below).

The module as part of a degree

Depending on the master’s degree programme the module can be included in the degree as a personal study module (such as at Aalto University School of Science) or as a minor subject (such as at Aalto University School of Arts, Design and Architecture). You should verify before applying how the study module can be incorporated in your degree.

Organising departments

The Art and Technology module is organized in collaboration between three departments – the departments of Art, Media, and Media Technology at Aalto University, and with coordination by Aalto Media Factory.

Scope of the study module: 20-25 ECTS
Duration:  one year
Intake: max. 10-12 students (from all Schools of Aalto University, exchange students, and from other universities within the JOO agreement)
Language: English
Application deadline: 31 May, 2012.

Application documents:  Please include the application form, a letter of motivation and extract of study record (detailed instructions on the website).

More information:
http://artandtech.aalto.fi


Vesa Kantola (lecturer, dept. Media technology)
vesa.kantola((at))aalto.fi
tel. 050 5562092

Markku Nousiainen (producer, Aalto Media Factory)
markku.nousiainen((at))aalto.fi
tel. 040 5005276

by kati at May 16, 2012 10:06 AM

Res Agri (resilient technologies for urban agriculture) peer-learning process begins!

Res Agri (resilient technologies for urban agriculture) peer-learning process begins!

This peer-learning initiative aims to develop and study and gather knowledge on appropriate agriculture technologies, organic nutrient processing and hydroculture systems, powered with renewable energy sources.

Initiated by Mikko Laajola, activity focuses on common, recycled and scrap materials, guerilla gardening and reclaimed urban sites, as well as greenhouse and indoors technologies.

The process is open, so bring in your projects or proposals!

According to the participants and the emerging projects, there will be smaller meetings and workshops in groups. So far there are a couple of projects proposed, including: Windmill pumps for hydroponics and guerilla gardening watering systems, compost tumbler, compost tea brewing for hydroculture, vermicomposting, ‘barrelponics’ or similar modular hydroponics system and DIY-aeroponics. The knowledge learned from the projects is documented and shared online.

From 19.-20.5. We’ll lay down the basis for the workshop-series by building a hexayurt greenhouse, sourcing materials, and planning the activities for the summer.  We’ll meet at kääntöpöytä cafe at 14.00 on saturday 19th. Directions http://kaantopoyta.fi/yhteystiedot/

More info: http://muistio.tieke.fi/resagri
Discussion and planning page in facebook: https://www.facebook.com/groups/268650936554952/

Contact: mikko[-at-]pixelache.ac
tel.0440 261 631

* Image credit: Charlie Vinz

by varamikko at May 16, 2012 09:55 AM

Finnish Bioart Society screens Heaven + Earth + Joe Davis (2011) 18.5.

Finnish Bioart Society screens Heaven + Earth + Joe Davis (2011) 18.5.

Heaven + Earth + Joe Davis documents the life of an artist who is driven to pursue questions that can only be answered in the space where science and art lose their individual distinction. Why would someone want to encode poetry into the eyes of a fly, fish for paramecium or send transgenic organisms into outer space? Joe Davis’ projects can seem fantastical, impossible, even ill-advised. A deeper look into his work reveals a hidden logic that is surprising and contagious – more philosophy than art.

Working with hundreds of hours of footage shot over ten years from around the world, archival footage, photographs and interviews from respected scientists and artists, Heaven + Earth + Joe Davis not only answers these questions, but illuminates why these questions are important now, at this moment in human history.

The Finnish Society of Bioart invites to the first screening of Peter Sasowsky´s documentation about the artists Joe Davis:

Heaven + Earth + Joe Davis (2011) (1h 25 min)
Time: 18.5.2012, 19:00h
Free entrance
Place: Kaapelitehdas Tallberginkatu 1 C 23
00180 Helsinki Stair C, 4th Floor

by kati at May 16, 2012 07:12 AM

May 15, 2012

Gijs Gieskes

May 12, 2012

Casper Electronics

New projects and PCBs

I’ve been doing a lot of development lately. I’m waiting on the new NovaDrone PCBs which will be here monday. There will be lots of info on that up soon. The DroneLab sequencer unfortunately needs a redesign and has been delayed by a few months. I’m converting it from an analog&logic design to a micro [...]

by casper at May 12, 2012 07:28 PM

Mapping Festival

Headed to Geneva on tuesday for the Mapping Festival. Performance May 19th, 20:30, Fonderie Kugler with a very cool artist named Michael Vorfeld. Workshop May 17th, 14:00-18:00, La Graviere. We will be assembling the brand new NoveDrone kit! I’m getting the PCBs in the mail the day before I leave!(typical right?). I’ll post schemtics, board [...]

by casper at May 12, 2012 05:05 PM

May 11, 2012

Pixelache

Demoteekki – Your Local Underground Library: Bring your works!

Demoteekki – Your Local Underground Library: Bring your works!

For Camp Pixelache demo-stalls Demoteket is planning to make a Finnish version of their underground library established in both Denmark and Sweden. Demoteket is based on works by local artists – so please bring your own works along! Music, zines, books, software, drawings – anything goes!

They can be found at the Demo Stalls (2nd floor corridor) at Camp Pixelache on Saturday 12.5. from 12.30-20.00

Demoteket is an underground library integrated into 6 of the public libraries in Copenhagen, Denmark. Each library has a Demoteket shelving unit – built by different Do It Yourself artists from Copenhagen. This shelving unit provides a platform for the local underground movement in all its forms. Whether you’ve made a few bedroom drawings or have set up an indie record company, you can hand in your work to Demoteket. Others will then be able to borrow it on the same lines as Stig Larsson or any other mainstream material. As an artist you will no longer need a record or publishing deal in order to reach an audience. And anybody curious enough to make it down the local library will have a direct ticket to what’s going on on the underground cultural scene – from dubplates to zines, from poetry to art films, from street art to stencils. You might even be able to find just the right person to do the art work for your next short film…

The internet has already provided a platform for the democratisation of cultural distribution – at least in its digital form. Demoteket complements this tendency by creating a platform for art in its more tactile and unique forms. A unique cut of a dubplate folded into a homemade silk print cover does have a different sound and charm than most youtube-soundfiles can compete with… In Copenhagen these unique productions have now landed at the age-old bastion of free culture: the public libraries.

by agryfp at May 11, 2012 10:12 AM

BALTAN Laboratories

THE FUTURE OF OFFLINE FILESHARING

06/06/2012 to 08/06/2012 

A 3-Day Masterclass during Dutch Technology Week
with Aram Bartholl and David Darts
June 6-8, 2012
Strijp-S, Eindhoven, NL

A collaboration between STRP, MU and Baltan Laboratories

Aram Bartholl, Dead Drop, http://www.flickr.com/photos/bartholl/5126739968/in/set-72157625142951009/

In the era of growing Internet surveillance, filtering, ACTA, 3-strikes and censorship, offline data sharing is becoming more and more important for freedom of communication. Centred around the projects Dead Drops by Aram Bartholl and PirateBox by David Darts, this masterclass aims to find more and new ways to share data in an offline mode.

What is the best way to send a file to a friend? How can I store data anonymously in public space? What are the best components to build up a local offline sharing grid? Will animals play a role in the future of offline filesharing?

Participants will explore these questions and learn everything they need to know from Aram and David about making their own Dead Drops and PirateBoxes. They will then experiment with these tools around the Strijp-S terrain in Eindhoven.

CALL FOR PARTICIPATION

We are pleased to launch an open call for participants to join this unique masterclass. To sign up, please submit your motivated request to info[AT]baltanlaboratories.org by June 3, 2012. We can accept a maximum of 20 participants. Sign up fast! We will be accepting applications on a first come, first serve basis.

There is a fee of 50 Euro (30 Euro for students) to participate in the masterclass. Lunch will be provided on June 7 and 8. All material will be provided. Travel to and accommodation in Eindhoven (if needed) is the responsibility of each individual participant.

The masterclass will be based at Capital D, Torenallee 22-08 at Strijp-S in Eindhoven. On June 6, we begin at 13:30. On June 7th and 8th, we will begin at 10:00. An open, public presentation of the results and drinks to close the masterclass will take place from 15:00 on June 8th at Capital D.

This masterclass is made possible with the support of the Cultuurfonds Strijp-S and the Municipality of Eindhoven. With thanks also to Capital D.

PROJECT DESCRIPTIONS

DEAD DROPS
http://deaddrops.com/

‘Dead Drops’ is an anonymous, offline, peer to peer file-sharing network in public space. USB flash drives are embedded into walls, buildings and curbs accessible to anybody in public space. Everyone is invited to drop or find files on a dead drop. Plug your laptop to a wall, house or pole to share your favorite files and data. Each dead drop is installed empty except a readme.txt file explaining the project.

PIRATEBOX
http://wiki.daviddarts.com/PirateBox

PirateBox is a self-contained mobile communication and file sharing device. Simply turn it on to transform any space into a free and open communications and file sharing network. Inspired by pirate radio and the free culture movements, PirateBox utilizes Free, Libre and Open Source software (FLOSS) to create mobile wireless communications and file sharing networks where users can anonymously chat and share images, video, audio, documents, and other digital content.

BIOGRAPHIES OF MASTERCLASS LEADERS

ARAM BARTHOLL (DE)

Aram Bartholl’s work creates an interplay between internet, culture and reality. The versatile communication channels are taken for granted these days, but how do they influence us? According to the paradigm change of media research Bartholl not just asks what man is doing with the media, but what media does with man. The tension between public and private, online and offline, technology infatuation and everyday life creates the core of his producing. In public interventions and public installations Bartholl examines which and how parts of the digital world can reach back into reality. Aram Bartholl is a member of the Internet based artist group Free, Art & Technology Lab – F.A.T. Lab. Net politics, the DIY movement and the Internet development in general do play an important role in his work. Beside numerous lectures, workshops and performances he exhibited at MoMA Museum of Modern Art, NYC, The Pace Gallery NY und [DAM] Berlin . He lives and works in Berlin. Aram Bartholl is represented by [DAM] Berlin | Cologne.

http://datenform.de
http://deaddrops.com/

DAVID DARTS (CA/US)

David Darts is Chair of the Department of Art and Art Professions and Director of the NYU Summer MA in Studio Art Program in Berlin, Germany. His research focuses on the convergences between contemporary art and media, technology, education, and democracy. Darts’ research and writings about contemporary art, education, emerging technologies and creative citizenship have been published in a number of top scholarly journals and books.

Darts’ PirateBox is a self-contained and mobile digital collaboration and file sharing system. Inspired by pirate radio and the free culture movement, PirateBox utilizes Free and Open Source software to create mobile wireless communication and file sharing networks where users can chat and anonymously exchange images, video, audio, documents, and other digital content. The project has been featured in over 150 international print and online and publications, including New Scientist, Le Monde, Ars Technica, and Wired Italia.

Darts is also Curatorial Director of Conflux, the annual art and technology festival for the creative exploration of urban public space. Since 2009, Conflux has featured lectures, performances, workshops, and exhibitions from over 250 public space scholars and artists. Conflux has received significant media attention including stories in the New York Times and on National Public Radio’s All Things Considered.

http://daviddarts.com/

by baltan at May 11, 2012 09:30 AM

May 10, 2012

Pixelache

TV LIKE US – book launch at Camp Pixelache 12.5.

TV LIKE US – book launch at Camp Pixelache 12.5.

Amid the current technological and social changes, does television hold the kind of relevance it once did? To coincide with the UK digital switch over, the Finnish Institute in London is pleased to present a new publication about community, media and art. TV LIKE US brings together artists, researchers and technologists working with community TV in Finland, Britain and Ireland.

The texts show that the thing called ‘television’ still holds a potent grip on our collective imaginations and that community TV is fast becoming a key player in the changing broadcasting landscape. Community television builds citizenship, tells stories and gives people a voice through DIY participation. From artist TV to open media platforms, TV LIKE US presents cases, methods and ideas behind this lively, local TV culture.

The first launch, to be held as part of Camp Pixelache in Helsinki, focuses on artist TV. There will be a discussion moderated by the editor of the book, Hanna Harris, the programme director of art and culture at the Finnish Institute in London. Taking part in the discussion will be the artist duo Somewhere (Karen Guthrie and Nina Pope), curator Sarah Cook, director of the new media centre m-cult Minna Tarkka, and artists and gallerists Arttu Merimaa and Miina Hujala.

TV LIKE US is a part of Reaktio, the Finnish Institute’s new publication series. The books in the series focus on critical contemporary issues, they pose questions and offer commentary. The books encourage debate and provoke action; they are books to think with and books to act on.

TV LIKE US – book launch and discussion on artist and community TV in Finland and in Britain

TIME: Saturday 12 May 3.30–4.30 pm (as a part of Pixelache Festival)
ADDRESS: Arbis, Dagmarinkatu 3
SPACE: Seminaarihuone, Ground Floor

Free entrance!

by kati at May 10, 2012 02:33 PM

Tribunal 12 ottaa kantaa Euroopan ihmisoikeusrikkomuksiin

Tribunal 12 ottaa kantaa Euroopan ihmisoikeusrikkomuksiin

Tribunal 12 Helsinki 12.5. on koko päivän kestävä tapahtuma, joka ottaa kantaa Euroopan ihmisoikeusrikkomuksiin pakolaisia, turvapaikanhakijoita ja siirtolaisia kohtaan. Tapahtumassa nähdään suorana lähetyksenä Tukholman Kulturhusetissa ja Sergelin torilla järjestettävä näytösluontoinen oikeusistunto TRIBUNAL 12. Sen tuomareina toimii eri alojen kansainvälisesti tunnustettuja asiantuntijoita, kuten kirjailijoita Nawal el Saadawista ja Nuruddin Farahista Henning Mankelliin. Päivän aikana käsitellään muun muassa rajakontrollia, vastaanottoprosesseja, paperittomuutta, käännytyksiä ja säilöönottoa.

Yleisöllä on mahdollisuus seurata Tukholman tapahtumia Iso Roobertinkatu 4:ssä sijaitsevassa katutason liiketilassa. Lähetysten välille on rakennettu runsas ohjelma, joka koostuu kansalaisjärjestöjen puheenvuoroista ja aiheeseen liittyvistä taideteoksista. Teatterista kiinnostuneella yleisöllä on poikkeuksellinen tilaisuus nähdä Kansallisteatterin Kiertuenäyttämön Paperisilta, liikkeeseen pohjaava teatteriesitys, joka on kiertänyt kaikki Suomen vastaanottokeskukset. Kansalaisjärjestöjen näkökulmaa valottaa esimerkiksi ihmisoikeusaktivisti Oksana Tshelyshevan puheenvuoro pakolaisvakoilusta, jota useat eri kansalaisjärjestöt ovat viime aikoina vaatineet kriminalisoitavaksi.

Tribunal 12 Helsinki levittäytyy myös Iso Roobertinkadulle, missä on esillä taiteilija Kristiina Tuuran teos Pata, Sandaali ja Virkattu teltta. Telttakangas on koottu sadoista tilkuista, joita ovat tehneet pakolaisnaiset ympäri maailman. Teos on alun perin ollut esillä osana Turun kulttuuripääkaupunkivuoden ohjelmaa 2011.

Ohjelma:

10.30-11.00 Video Afaryan -taideprojektista Iranista, Kalle Hamm ja Dzamil Kamanger

11.00-12.30  Suora lähetys Tukholmasta, Rajakontrolli, asiantuntijoina professorit Jacquline Bhabha ja Leanne Weber.

12.30-13.00 Puheenvuoro: Ida Simes, Suomen PEN,  Writers in Prison – Suomen komitean puheenjohtaja

13.00-13.20 Turvapaikanhakijan puheenvuoro

13.20-13.30 Puheenvuoro: Timo Kallio, Kirjailija- ja taiteilijayhdistys Kiila ry:n puheenjohtaja

13.30-15.00 Suora lähetys Tukholmasta, Turvapaikkaprosessi, asiantuntijoina professorit Matthew Gibney ja Gregor Noll

15.00-16.00 Kansallisteatterin Kiertuenäyttämön liikkeeseen pohjaava teatteriesitys Paperisilta, näyttelijä Jussi Lehtonen, tanssija Nina Hyvärinen ja muusikko Mikko Perkola

16.00-16.15 Youth as Refugees -yhteisötaideprojektin videoteoksia, Pekka Niskanen, Anna Knappe, Timo Piikkilä, Jaana Ristola

16.15-16.30 Pata, Sandaalit ja Virkattu teltta -teoskokonaisuuden esittely, Jari Kivistö, Annika Raittinen

16.30-18.00 Suora lähetys Tukholmasta, Paperittomat siirtolaiset, asiantuntijoina Professori Bridget Anderson ja Tohtori Henry Ascher.

18.00-18.05 Katja Tähjän paperittomista kertovan e-kirjan trailer

18.05-18.30 Puheenvuoro: Sosiologi ja aktivisti Mervi Leppäkorpi, Paperittomat Suomessa

18.30-19.00 Puheenvuoro: Ihmisoikeusaktivisti Oksana Tshelysheva, FINROSFORUM

19.00-20.30  Suora lähetys Tukholmasta, Säilöönotto ja käännytykset, asiantuntijoina professori Nicholas de Genova ja Liz Fekete

20.30-20.45 Puheenvuoro: Markus Himanen Vapaa liikkuvuus -verkosto, Käännytysten ja säilöönoton vastainen toiminta

20.45-21.00  Puheenvuoro: Asianajaja Juha-Pekka Hippi, Seta ry:n hallituksen jäsen, Seksuaali- ja sukupuolivähemmistöt turvapaikanhakijoina Suomessa

21.00- 22.00 Virtual War, Pekka Niskasen dokumenttielokuva tshetsheenipakolaisista (tuot. Illume Oy)

22.00-23.30  Suora lähetys Tukholmasta, Juryn jäsenten välinen avoin keskustelu ja lopullisen tuomion julistaminen

23.30- Musiikkia ja keskustelua

Tilaisuuteen osallistuvat muun muassa kuvataiteilijat Kalle Hamm, JP Kaljonen, Dzamil Kamanger, Anna Knappe, Riikka Kuoppala, Pekka Niskanen, Suvi Nurmi, Johanna Raekallio ja Kristiina Tuura, kouluttaja Jari Kivistö, sarjakuvataiteilija Ville Tietäväinen, valokuvaaja Katja Tähjä, sekä näyttelijä Jussi Lehtonen, tanssija Nina Hyvärinen, muusikko Mikko Perkola, toimittaja Kaisa Viita ja mediakulttuuriyhdistys M-cult. Järjestöistä mukana ovat FINROSFORUM, Suomen Pen, Kiila ry, Seta ry ja Vapaa liikkuvuus -verkosto.

Helsingin lisäksi tapahtumia järjestetään Ruotsissa, Norjassa, Tanskassa ja Englannissa.

Tapahtumaa tukee Kiila ry

Tarkat ohjelmatiedot on julkaistu Helsingin tapahtuman blogissa:

http://tribunal12helsinki.wordpress.com

Tukholman päätapahtuman nettisivut:

http://tribunal12.org

Lisätiedot:
Johanna Raekallio, jraeka@gmail.com, 040-7334409
JP Kaljonen, jp@kaljonen.com, 040-7624631

by kati at May 10, 2012 06:35 AM

May 09, 2012

BALTAN Laboratories

ENERGY: Three Art-Science Workshops

04/06/2012 09:30 to 18:00 

Organised by Baltan Laboratories and Holst Centre, with support from High Tech Campus Eindhoven and in collaboration with the Renewable Network. Part of Dutch Technology Week, Eindhoven, NL.

Bartaku, TpED Worklab #8 – Oslo. http://bartaku.net/tped-worklabs

Are you a researcher, artist, student, designer or entrepreneur enthusiastic about exploring new cross-disciplinary perspectives in the field of alternative energy sources? Then this event is for you. By bringing together people with similar interests, but totally different backgrounds, mutual inspiration is the main ambition. Built on the experience of several internal workshops, Baltan Laboratories and Holst Centre now open up this format to the public, in collaboration with the Renewable Network and High Tech Campus Eindhoven. Sign up fast as seats are limited! We will select only the most enthusiastic candidates from all applications.

Participate in one of these workshops:

#1 On Bioenergy: Biotricity http://renewable.rixc.lv – a workshop on ‘bacteria-electricity’, which uses wastewater as an energy source. Led by Raitis Smits (RIXC, Riga, LT) and Arturs Gruduls (Faculty of Biology, Latvian University).

#2 On Renewable Energy: TpED-Worklab #9 http://bartaku.net/tped-worklabs – A co-creation worklab with research-based experimentations on the relation between light, food, body and electric energy. Led by Bartaku (BE).

#3 On Energy Harvesting: Neighbourhood Satellites Energy Harvests http://energyharvests.org/ examines the practical as well as theoretical possibilities of an alternative, decentralized supply of energy by asking: How can citizens use these surplus energy supplies? What would local micro-power-networks, where free energy can be collected, distributed and exchanged, look like? Led by Myriel Milicevic and Hanspeter Kadel (DE).

More detailed information about each workshop can be found below.

PRACTICAL INFORMATION

Date: Monday, 4 June 2012
9:30 – 16:00: Hands-on workshops (for max 10-12 participants per workshop).
16:30-18:00: Public presentation of the workshop results and closing network drink. Participation is free.
Location: High Tech Campus Eindhoven, Conference Centre

Space is limited to 10-12 participants per workshop, so sign up quickly. There is a participation fee of €25. Lunch, drinks and materials will be provided.

To sign up for the workshop, please submit your motivated request, including your first and second choice of workshop, to info[AT]baltanlaboratories.org by May 31.

This event is framed within the 1st Dutch Technology Week, offering a variety of high-tech activities from June 1-8 in Eindhoven. Check out www.dutchtechnologyweek.com for more events in the same period and get the maximum out of your trip.

WORKSHOP DESCRIPTIONS

#1 Biotricity
Led by Raitis Smits (RIXC, Riga, Latvia) and Arturs Gruduls (Faculty of Biology, Latvian University).
http://renewable.rixc.lv

A workshop on ‘bacteria-electricity’, which uses wastewater as an energy source. The intent of the workshop is to experiment with ‘next-generation’ biotechnology (microbial fuel cells / MFC) in order to explore how it can be approached and interpreted through artistic perspectives and cultural innovation.

During the workshop, artist Raitis Smits and scientist Arturs Gruduls will introduce how to make a fuel cell that generates electricity from bacteria living in (dirty) water. They will also experiment with using different energy sources (soil, wastewater). Later on, using their own self-made ‘biotricity’ cells, workshop participants will be invited to ‘design’ and to builds themselves ‘bacteria-battery’ systems, as well as to develop ideas and experiment with this technology from an artistic perspective. Workshop leaders will also introduce scientific visions and artistic approaches related to the future of this emerging technology, encouraging participants to contribute to this discussion by sharing their ideas.

Technology: MFC technology is based on a bio-electrochemical system that converts chemical energy to electrical energy by using microorganisms – bacteria found in the commonly available resources such as, for instance, wastewater.

The workshop is open for everyone.
The workshop is a collaboration between artists from RIXC in Riga and scientists from the Institute of Solid State Physics and Faculty of Biology at the University of Latvia.

#2 TpED-Worklab #9
Led by Bartaku (BE)

http://bartaku.net/tped-worklabs

A co-creation worklab with research based experimentations on the relation between -light-, food-, body- and electric energy. Fusing cooking and solar technology and designs, As a participant you will use principles and tools from the realms of alchemistry, photovoltaics and cooking, exploring the power of berries, currants and other edibles to create ‘e-tapas’ of different aesthetics, smells, tastes and textures. The Digestopians you create are to be tested, tasted and documented on your heliotropic – light seeking – tongue.

Participants can bring their own pigment rich fruits/vegetables for experimentations. More details can be found at http://libarynth.org/luminous/phoef#temporary_photoelectric_digestopians

No specific knowledge is required. The TpED Worklabs are open for people from the age of 16 onwards. In case there is a specific food issue (allergy, for example) please let us know when you sign up for the workshop.

The TpED-Worklab #9 is part of a series, fused by PhoEf: The Undisclosed Poésis of the Photovoltaic Effect; an artistic research project by Bartaku (Brussels, BE).

Biography
Bartaku (BE) is an artist/researcher with special interest in tropes and hyper-wounded realities. Since 2007 he explores the relation between light, -plant, -body -and electrical energy. His public work consists of installations, interventions, co-creation labs, writings and talks. He is a member of transdiciplinary lab FoAM.

http://www.bartaku.net
http://libarynth.org/luminous/phoef/
http://fo.am

#3 Neighbourhood Satellites Energy Harvests
Led by Myriel Milicevic and Hanspeter Kadel (DE)
http://energyharvests.org/

In everyday city living, we are surrounded by waste products from our urban infrastructures – heat waste from air conditioners, light pollution emitted from shop windows, vibration caused by heavy traffic and the loud wails of sirens. But these structural leakages are, in essence, a multitude of free power outlets for anyone wishing to collect them, because light, noise, vibration and heat can all be turned back into usable energy.

Neighbourhood Satellites Energy Harvests examines the practical as well as theoretical possibilities of an alternative, decentralized supply of energy by asking: How can citizens use these surplus energy supplies? What would local micro-power-networks, where free energy can be collected, distributed and exchanged, look like?

In this workshop we will follow these questions and construct small portable harvesters for light pollution. All materials and tools will be available on site. No prior knowledge required.

Biographies
Myriel Milicevic is an artist, researcher and interaction designer based in Berlin. With her Neighbourhood Satellites she explores the hidden connections between people and their natural, social, and technical environments. These explorations are mostly of a participatory nature, emerging from collaborations with other artists and scientists, in the context of workshops, classrooms, exhibitions, residencies and out in the field.
www.neighbourhoodsatellites.com

Hanspeter works as a designer in Berlin. He mainly develops websites/applications/installations for clients like Adidas, Lodown Magazine & THEBAKERY. His background in engineering allows him to bring “objects” alive and he loves to share his knowledge as Ecoresearcher, for Fritzing or giving Arduino Workshops. Apart from that he’s crazy about music – watch out, you can spot him behind Berlin decks from time to time, playing tiki jazz, heavy metal and house all night long.

by baltan at May 09, 2012 01:33 PM

Pixelache

Talking Trash(lab) 10.5. Jennifer Gabrys: Remaking Electronic Waste

Talking Trash(lab) 10.5. Jennifer Gabrys: Remaking Electronic Waste

Thursday 10.5. from 18.00-19.30, at Aalto Media Factory, Hämeentie 135 A, Helsinki.

Camp Pixelache invited guest Jennifer Gabrys’ contributes to Talking Trash(lab) lecture series presenting about the material life of digital media.

Digital technologies appear to be immaterial and relatively free of resource constraints. Yet as the environmental issue of electronic waste indicates, the material effects of digital media are significant. As one of the fastest growing waste streams, e-waste quantities are generated at approximately 20-25 million tons per year to 35-40 million tons per year. This waste is hazardous, difficult to recycle, and is often processed in harmful ways, which raisesconsiderable environmental justice issues.

Click here for instruction to get to Aalto Media Factory venue.

Her book Digital Rubbish: A Natural History of Electronics, published in 2011, describes the materiality of electronics from a unique perspective, examining the multiple forms of waste that electronics create as evidence of the resources, labour, and imaginaries that are bundled into these machines. Ranging across studies of media and technology, as well as environments, geography, and creative practice, Jennifer Gabrys draws together the far-reaching material and cultural processes that enable the making and breaking of these technologies.

For the Talking Trash(lab) lecture, she will focus on how an approach to materiality as process is important not just for understanding the environmental and socio-cultural effects of digital media, but also for rethinking the material ecologies and economies of these technologies, and possible sites for creative intervention.

Jennifer Gabrys is Senior Lecturer in Design and Convener of the Masters in Design and Environment in the Department of Design, Goldsmiths, University of London. In addition to her Talking Trash(lab) lecture, Gabrys is a plenary speaker and facilitator of Camp Pixelache sub-theme ‘The art of gathering environmental data‘ on Saturday 12.5. at Arbis.

More information about Trashlab & Camp Pixelache.

* Image credit: Curtis Palmer, sourced at Wikimedia Commons.

by agryfp at May 09, 2012 11:02 AM

Ptarmigan 2012 residency programme: Call for proposals!

Ptarmigan 2012 residency programme: Call for proposals!

Ptarmigan seeks creative projects from the Nordic and Baltic regions for two-month residencies in Tallinn, Estonia. These residencies are supported by the Kulturkontakt Nord Nordic-Baltic Mobility Programme.

Ptarmigan is a transdisciplinary cultural platform operating in both Tallinn, Estonia and Helsinki, Finland. For three years, Ptarmigan has organised events, residencies, workshops, performances and other projects that span across various spheres of art, music, performance, humanities, and other more nebulous fields. Our focus is on event-driven cultural production that’s simultaneously inclusive and unusual.

Who is eligible

Any legal resident of the Nordic or Baltic countries, excluding Estonia. This means: Greenland, Iceland, Norway, Sweden, Denmark, the Faroe Islands, the Åland Islands, Finland, Latvia and Lithuania. If you are not a resident of these countries, you are not eligible for our KK Nord-funded residencies.

What we are looking for

Your residency is a project; your proposal should clearly describe what you hope to do with two months in Tallinn. We look to produce projects that excite us and occupy unique cultural space. We like to see things that are active and lively, and fit in well with what we do. At Ptarmigan, the joy is in collaboration, being together, and expanding perspectives. We’re inclined towards ideas that offer some sort of educational component, and a chance for the public to be involved, while being experimental in nature. Participation and engagement with our existing projects is also a bonus – many of our regular projects benefit from guests, and there are also opportunities to work in our partner spaces, such as Tiib in Tallinn and the Score Store Kiosk in Helsinki.

You can always take a look at our past eventsprojects and residencies on our websites to get a sense of what we are interested in. In general, if your project is ‘spend two months painting/sculpting/video editing/whatever to create a gallery exhibition’, we aren’t likely to select you. If you’re looking to create interactive, psychogeographic maps of Tallinn’s secrets/animals/vertical objects/whatever through a series of workshops, tours, and other interventions — now we’re listening.

What you get

If chosen, your travel to and from Tallinn will be paid for (up to €400). You will be accommodated in a small apartment within a short walking distance of the Ptarmigan project space which will be fully paid for. In addition to this you will receive a stipend of 1400€ for your two months stay, pending requirements (see below). Any living costs (food, materials, etc.) will come from this stipend. In Ptarmigan, you will be given a 21m2 room to use as a studio, if desired. (There are some limitations in what you can do with this studio, primarily sound/volume-related, but otherwise it’s yours). Ptarmigan additionally operates a small, experimental visual art space called Tiib – this space is available to use as a gallery/exhibition space if desired. You will be asked to visit Helsinki at least once to present, perform, or otherwise engage with our Finnish side – ferry travel and accommodation will be covered for this trip.

Ptarmigan is an artist-run space that is all-volunteer, and our organisers will do their best to help with your project. This includes local promotion and marketing, general local know-how (including practical information and cultural networking), and anything else we can do.

Other requirements
If you are not a legal, tax-paying resident of one of the aforementioned countries, then you are not eligible for this residency, which is funded by KK Nord only for mobility between Nordic and Baltic countries. If you have a good idea for Ptarmigan anyway but are not a resident of these countries, please don’t hesitate to propose anyway — but understand that we do not have any financial support for residencies beyond the Nordic/Baltic programme.

The residency, as required by KK Nord, is for a minimum of two months. We are generally budgeted for exactly that time, though a few extra days over is okay. If you have an idea for a longer project then please describe it in your proposal.

The stipend is broken into two monthly payments of 700€ each. This is intended to cover all living costs and materials. To receive this stipend, you must spend 85% of your stay in Tallinn (though your visit to Helsinki will not count against this).

Ptarmigan is a very social, public-focused space, and if your project does not directly engage with the public, then we ask that you will open your working space up for a few hours per week to anyone who might be interested in meeting you and seeing what you are working on. This is negotiable and primarily symbolic anyway.

How to apply, deadlines, and other administrivia

To apply for Ptarmigan’s Nordic/Baltic residency programme, please use our general-purpose proposal form, and choose “Tallinn residencies” as the “existing project”. Our application form is at  http://ptarmigan.ee/proposals/new and we prefer that you apply in English.

We will be selecting three residencies in 2012, with a minimum duration of two-months each. Please specify clearly on the proposal form when you would be most interested in coming, ex. “July-August”, “November-December”, etc.

The deadline for this year’s residency applications is 1 June. Ptarmigan will inform all applicants no later than 15 June.

For more information: tallinn@ptarmigan.ee or view this post on the Ptarmigan website.

by John at May 09, 2012 09:40 AM

Open Design Demo stalls & Suomenlinna Money Lab exhibition at Camp Pixelache!

Open Design Demo stalls & Suomenlinna Money Lab  exhibition at Camp Pixelache!

Open Design demo stalls are exhibited at Arbis during Camp Pixelache on Saturday 12 May 12:30 – 19:00, with several interesting projects.

Helsinki Hacklab Reactionists present their Chernobyl simulator and RIXC, The Centre for New Media Culture from Latvia presents TALK TO ME, a human-plant communication interface for exploring relational aesthetics in these hybrid environments. Other demos include for example the results of Electronic Embroidery workshop held in March and Animation App, a rolling “tiny film festival” of the animations that have been made by audience during the exhibition!

Also exhibited in Arbis are the results of Suomenlinna Money Lab bank note design competition held in March.

by kati at May 09, 2012 07:38 AM

May 08, 2012

Pixelache

VINAY GUPTA KICKS OFF CAMP PIXELACHE 2012 WITH A KEYNOTE PRESENTATION & HEXAYURT TALKOOT THIS FRIDAY!

VINAY GUPTA KICKS OFF CAMP PIXELACHE 2012 WITH A KEYNOTE PRESENTATION & HEXAYURT TALKOOT THIS FRIDAY!

This year’s Camp Pixelache opens on Friday 11 May with a keynote lecture by Vinay Gupta (The Bucky-Gandhi Design Institution). Gupta is one of the world’s leading thinkers on infrastructure theory and managing geopoltical risks as well as an environmentalist and a sustainability activist. He is known for example for developing Hexayurt, the free/open source emergency shelter and writing the book The Future We Deserve.

In his keynote speech, Tools and Language – Why government can’t manage the 21st century, but we can Gupta ponders for example the shifting balance of power between the State and Corporations, which is a huge part of the problems our democracies face in responding to issues like climate change.

Gupta’s keynote presentation will take place on Friday 11 May at 18.00 at Camp Pixelache 2012 main venue Arbis.

As part of Camp Pixelache and in connection with Vinay Gupta‘s visit, we are organising a talkoot event on Friday 11 May from 12:00 to 18:00. The aim of this ‘construction work party’ is to learn together the practical skills of how to build Hexayurts. We are planning to construct a temporary sauna structure for pixelache and related events, but our hope is to get different Hexayurts implanted in as many different contexts as possible. For this reason, we hope that various kinds of people will join to construct their own Hexayurts!

The Hexayurt shelter can cost less than a relief tent, is designed to be manufactured anywhere in the world at any scale, from local materials, as Free hardware, to house humans in need. The Hexayurt Project maintains the designs and makes them freely available.

by kati at May 08, 2012 07:22 AM

May 07, 2012

Pixelache

Do It With Others – D.I.W.O is the new D.I.Y!

Do It With Others – D.I.W.O is the new D.I.Y!

Camp Pixelache 2012 is already this week on 11-12.5!!!! It is organised around the overarching theme Do it with Others (D.I.W.O.). How can artists, makers, cultural producers, researchers and activists work collaboratively with each other and audiences, to create new co-production models for artefacts/events with sustainability as the core goal?

Don’t miss the opening keynote presentation by Vinay Gupta on 11.5 at 18.00 at Arbis. On Camp Pixelache main day 12.5, the main theme of D.I.W.O. will be outlined by Marc Garrett (UK), activist, artist, writer and co-director/founder of arts collective Furtherfield.  Check the rest of the themes that will run during the whole day and add your own suggestions here. Share your vision of Doing It With Others, present a project or host a discussion! The call for presentations is open untill the Camp day.

Camp Pixelache has free entrance. WELCOME!

by kati at May 07, 2012 08:28 AM

May 05, 2012

Pixelache

Melinda Sipos in residency at Pixelache!

Melinda Sipos in residency at Pixelache!

We have the pleasure to welcome Melinda Sipos from Budapest to be the second resident of our micro-residency programme. Her visit takes place during one of the busiest times of the year in Helsinki at large and at Pixelache. She will stay with us during 9-17-5, and thus attend Camp Pixelache to be held next week on 11-12.5.  Since her current interest includes research on food and food culture, Melinda is up for testing a sort of data-visualisation model and different ideas around catering at Camp Pixelache, amongst other things…

>> More info

by nathalie at May 05, 2012 04:50 PM

Melliferopolis Seminar & Workshop 15-18.5

Melliferopolis Seminar & Workshop 15-18.5

Melliferopolis is a long term research project inviting expertise from various backgrounds to engage with the topic of the bee. It is an initiative by Christina Stadlbauer at Aalto University, Future Art Base / Biological Arts in Helsinki, Finland. The first stage of the initiative consists of a series of lectures and discussions about bees and urban beekeeping from scientific and artistic viewpoints.  The seminar gives a framework and basis to engage and grow the theme into artistic dimensions and cultural levels.  The seminar will be followed by a 3 day hands-on workshop, where themes of Melliferopolis are explored in more detail and implemented practically. During the workshop, new bee hives and insect hotels will be built and installed in several locations in Helsinki and Espoo metropolitan area.

More info

by nathalie at May 05, 2012 04:13 PM

May 04, 2012

Pixelache

Afropixel # 3, Dakar (Senegal) 11-20.5!

Afropixel # 3, Dakar (Senegal) 11-20.5!

Kër Thiossane, the craddle of the Festival Afropixel in Dakar is turning 10, just as Pixelache!
As part of the ‘off programme’ of the 10th Dakar Art Biennale, Kër Thiossane is launching the third edition of the festival Afropixel on May 11th. This year, the programme focuses on ‘Commons’ from the perspective of Africa and countries of the South and in the context of new technology and artistic creation. ‘Commons’ are  traditionally defined as the elements of the environment- forests, atmosphere, rivers, fisheries or grazing land – that are shared, used and enjoyed by all. A source code, knowledge, artistic creations, these things too can be considered commons as soon as a community is willing to take care of and share this collective resource.

Read more in French

by nathalie at May 04, 2012 09:11 AM

May 03, 2012

Pixelache

“The world is a place of impossible extremes, and we are all in this together!”

“The world is a place of impossible extremes, and we are all in this together!”

Camp Pixelache keynote speaker Vinay Gupta took some time of his busy schedule and aswered some questions by journalist Anna-Sofia Joro from Finnish newspaper Voima. Part of this interview is published in Finnish in Voima’s issue 4/2012.

Here you can read the whole interview, in which Vinay Gupta shares his inspirational thoughts on cooperation, democracy and of course the Hexayurts.

1. Welcome to Helsinki in May! Have you been in Helsinki or Finland before? If yes, what’s you impression of the country and people?

I have two close Finnish friends, Anu and Arto, who are both engineers. They don’t talk very much, they make very funny and accurate observations about things, particularly how irrational people can be, and they really get things done. I can’t imagine there could be a country of such people, but I’m looking forwards to finding out! I lived in Iceland for two years, and that was a good introduction to how different cold climate culture can be.

2. Please tell me a bit about the projects you are engaged in at the moment. Is there something bigger going on?

Well, there are goals within goals. My long term agenda is to do my part in getting a sustainable lifestyle created, something which nine or ten billion people can live without trashing the planet. Depending on how you look at it, we’re either very close to that (new technology!) or very far from that (society). Within that mandate there’s a lot of subgoals, working on housing, on managing cities and urban infrastructure, on social stability and vision. I have a lot of projects at the same time, but very few of them have deadlines, so they can be allowed to move forwards as opportunity and resources allow, in a slow wave of parallel activity.

3. Camp Pixelache theme is “Do It With Others” (D.I.W.O.). What do these words mean to you?

To me, this is very simply about lazy cooperation, about how (for example) we move hexayurts. A hexayurt is a little house made from plywood, with a very minimal and simple design. They weigh as much as 300kg and we often pick them up and carry them with a large group. About thirty people gather around the hexayurt and pick it up by a very good lifting-point formed by the roof. There’s almost no more room to get more people around the building. Then we lift it into the air, and 300 kg by 30 people is only 10kg each, and it’s almost as if the building is floating.

To me, that’s the perfect image of cooperation, nobody is working too hard, if somebody has to let go suddenly nothing changes because 29 are almost as strong as 30, and everybody is safe and not straining.

That’s how I’d like us to do the world!

4. Your lecture in Helsinki is titled “Tools and Language – Why Government Can’t Manage the 21st Century, But We Can?” Who do you refer to us “we” and from where do you consider that we get our strength to change / influence the society and the world?

There is an English word “polity” which is the political unit of The People. My understanding of what’s going on right now is simple. Government as it currently exists was based on centralized decision-making for a large area, a whole country, made by a king. But in those days, there were three or four critical stabilization factors we now lack. There was little technological change, events far, far away did not affect us, communications and banking were conducted at the speed of horses not electrons, and people did not travel much between different areas of the world. The result of all these changes is that decisions have to be taken perhaps 1000 times faster and more often than they had to be made in the old Medieval kingdoms.

Our societies have filled the gaps created by this faster pace of life with a mysterious entity called “The Market” which is, fundamentally, just The People, the Polity, acting in a way constrained by the legal rules of trade, with setting prices and buying decisions being more or less all the exchange of information between people involved in the market. The market is a social structure of the same general class of social structures that voting in a democracy is, what some sociologists or philosophers would call a “social game.”

The internet may be providing us with some new options. As we are seeing with Free Software and operating systems like Linux, there’s scope for large, complex social organization which is created using neither the State or the Market. We’ve got much more sophisticated communication, too. Voting is selecting from one of a handful of options every four years. The Market communicates through price signals and purchase decisions, but there’s precious little qualitative communication through the market, so what people really think, feel and want is left out of the equation. What Yochai Benkler calls “commons-based peer production” is getting huge numbers of people what they want without State or Market, with rich, personal, human communication, with every indication that we’re only at the start of solving problems this way.

No government in the world, no company in the world, could have created Wikipedia. No amount of money could have been spent to commission its creation if it was going to wound up owned by a private entity. To persuade such a huge diversity of people to share knowledge with the world required a strong assurance that what was being done was being done for everybody, in a free way.  So in certain areas, we’ve already exceeded the problem solving capability of the State and the Market, and I think it may be hundreds of years before we’ve hit the limits of this approach.

5. What’s wrong with our cooperation in today’s world? How should it be improved?

We have terribly poor legal support structures for cooperating without money. Corporations and charities both exist to manage financial assets, but to create a legal structure to represent (say) the users and contributors to a Free software project in a way which isn’t just bending existing legal structures, but which genuinely reflects these new modes of social organiazation, is very difficult within existing legislation.

Free Hardware has terrible problems getting proper protection from the law too. A patent typically costs about $30,000 and more if you want it to cover the whole world. Copyright is free. So if one wishes to copyright a piece of computer code, then release it under a GNU license, so that it can always be shared and never captured by industry, it’s a Free process. But if one wants to do the same with a patent, so one can invent something, patent it, and then release it into the Commons protected from a company ripping it off for profit and using legal techniques like ringfence patents to close the innovation down, every single tweak, no matter how small, that one wishes to protect is going to cost another $30,000. There’s no affordable way to use the current legal system to protect Free Hardware projects.

So that’s the main area I’d focus on: better law for sharing.

6. You say that “if you want a lot of people to do something together, you need effective cooperation”. How would you define this effectiveness: 1) in “normal” life and 2) during disasters?

In disasters, there’s usually a 72 hour “golden period” (see the book “A Heaven Made in Hell”) during which people spontaneously cooperate without apparent self-interest to help people affected by the disaster. But in normal life, our whole society is framed around intra-species competition through the so-called Free Market which is basically a subsidized war for resources.

If you want to see the real problem here clearly, consider what international cooperation looks like when it works (the 10 year project to stop the Ozone Layer being destroyed by CFC gasses by banning their manufacture and use) and when it fails, for example in the Climate Project where we are sinking resources into the UN and other international bodies trying to reduce our greenhouse gas emissions, and basically we are failing completely to protect the future from our own terribly foolish engineering practices.

We really could not be doing a worse job on climate protection, and that’s the absolute basic truth of our lives: living as we are living is destabilizing the core systems of our planet. And we do it because we don’t seem to be able to stop, like addicts.

A massive global cooperation failure is occurring, right before our eyes.

7. In your opinion, what’s the role of citizen activism and new communities in our societies? In which direction should activism (for example in Nordic countries) go to be more “cooperative”?

I think that a lot of these projects are best understood as prototypes or art projects. So far I’ve seen some interesting examples of more cooperative living, but to me these things look like aeroplanes did before the Wright Brothers – short-lived examples reaching for a possible world, a possible future, but without ever actually leaving the ground and making the leap into the sky.

We have a long way to go before we have a cooperative institution which is as successful as competitive institutions like governments or large companies, for example! In some countries, Scandanavian ones especially, the government is actually quite an effective cooperative project, but I think that’s taken enormous amounts of work and focus to produce, and it’s not at all clear to me that is going to be the case for governments who’s citizens have different ideas about the role of the State.

8. EdgeRyders project with Council of Europe seems very interesting. Can you tell a bit more about it?

Ah, EdgeRyders is a brilliant project. Gilda Farrell commissioned Alberto Cottica and Nadia El-Imam to create a policy paper about the future of youth unemployment in Europe by involving hundreds of people in a collaborative project to talk about their real lives not just to the Council in the manner of an opinion poll or a survey, but to each-other in the manner of a great conversation about our lives.

To see a government body support such a conversation between its citizens as a way of understanding more about how it can help them is a landmark, a true turning point, in my understanding of the State and its function. I think they got this one right, and I’ve been very proud to be selected to help out in some small way.

To take part in the project, you just go to the EdgeRyders web site, sign up, and you can click around, find research questions to answer and discuss, meet interesting people and see their fascinating projects and read about their lives, and apply to come to our conference at the Council of Europe in Strasbourg in early June. It’s going to be an amazing event, a real chance to bring together a hundred or more people from all over Europe to talk, think, discuss, get to know each-other, and become friends. It’s truly a unique event!

9. About Simple Critical Infrastructure Maps. What does it mean to give people a clear, effective language for cooperation around saving lives?

Ah, well, this is very simple. If you are a hospital administrator in a poor country which is affected by massive floods, and the road transportation network stops bringing your hospital its supplies of sterile needles and hospital gowns, and the electrical grid gets to be unreliable in the crisis, you are now not just running a hospital, you’re now having to help manage the risks associated with a “supply chain” bringing you goods, and a “grid” bringing you services. These are responsibilities you were not trained for, you have no experience, and “common sense is not so common” – everybody has their own specialized areas of competence, but outside of those areas, we are all ignorant fools. The smartest surgeon in the world cannot mend his own car without practice!

So the Simple Critical Infrastructure Maps system is documented in a short, free guide called “Dealing in Security” which tells you a little bit about how the supply chain and the grid really work, and describes the kinds of risks that affect them. Most importantly, it teaches a simple diagram you can make in a spreadsheet program or even by hand on a white board which helps get an objectively correct description of the total dependency and risk of an institution like a hospital or even a nation state. This diagram is like a checklist or a todo list, it’s a way of saying “right, do these things in order, answer these questions and you will have covered all the basics even if you are in a panic and don’t feel like you know how to address these problems.”

What we have found in areas like marine navigation or air traffic control, any area where people operate under a lot of pressure and stress and have to face crisis, is that clear language is absolutely vital. A “controlled vocabulary” helps people from different specialities and different professions communicate: instead of the computer guy saying “we’ve lost the fiber line to the data center because of a backhoe incident” which only makes sense to technical people, he could say “we’ve lost the MUNICIPAL DATA COMMUNICATIONS line because of an INDUSTRIAL ACCIDENT”. A clear sense of what is going on is communicated to a wider audience, and when terms like NEIGHBOURHOOD, MUNICIPAL and INTERNATIONAL are used, along with a clear objective set of operational needs like SHELTER, WATER SUPPLY, COMMUNICATIONS you get a good chance of people from different fields being able to form teams to work on these problems rapidly and effectively. There are a thousand ways to describe the same problem, and it really helps if we all agree to pick one!

Nobody is really an expert in improvising their way through a disaster. We are used to smooth, simple operations, where we pay our bills and the lights stay on. When that stops working, everybody is doing this for the first time, and having these clear checklists and ways of describing which of the many possible problems one could face are actually happening will help people get a clear understanding of the situation fast, and cooperate to do the best they can to resolve it.

You still need domain specific expertise (i.e. surgeons) and experience disaster management staff (like national disaster relief teams.) But for ordinary people who’re facing severe disruption for the first time, checklists and a clear language to describe issues helps!

10. Also please tell a little about your collective book process “The Future We Deserve”.

It started with a single tweet: “The Future We Deserve, a collaborative book about the future, a hundred pieces in a hundred days – sign up here” or words to that effect. Three days later we had 70 people signed up, and in the next couple of months raised $2000 to pay for producing the book, and got 100 authors. The book was put together using the same software that runs Wikipedia, and a startup company’s toolkit for printing books called Pediapress.

And there’s a book! It took a while, the process was much more complicated than I’d anticipated because it actually overturned most of my thinking and ideas about the future in the process, but the end product is fantastic. You can buy a copy at The Future We Deserve.com or read it online.

What’s amazing is that, like Wikipedia, it’s a book that could never have been produced with a lot of money and paying people to write. The mix of perspectives and ideas, the slight randomness and total diversity of the pieces reflects a project where the people who did it are the ones who cared enough to show up and write, not the ones who were thought of as experts and paid. And you often get better work from the people who are fascinated, motivated and curious than the ones who are simply known to be good at that kind of thing, and rounded up on each new project like the usual suspects.

It’s an amazing book, too. You get to the end and say… “my god, anything could happen, anything at all and anybody who thinks they know the future and understand our possibilities is a fool!”

11. You say that Gandhi and Buckminster Fuller are your heroes. Is there a gap between spirituality and technology that should be covered?

No.

We suffer, all over the world. from too much religion in politics and social life. People’s religions should be their own business, for the most part, as relevant to their political identity or social status as their shoe size, sexual preference or hair colour. In my opinion, the best of religion is more like art than science, and attempts to take what people intuit about the nature of the infinite and put them on the same basis as (say) mathematics or the physical sciences are absurd. I can’t express how foolish American Creationism looks, with its museums devoted to explaining how Adam and Eve were brought fresh figs by tame dinosaurs provided to them by God, an old man with a white beard. But I feel equally bad about the overly-ambitious and dogmatic scientific materialists who insist that physics is advanced enough to tell us about the creation of the universe, even though we can’t even count the fundamental particles from which that universe is made, and that consciousness and our sense of being human are simply long, complicated chemical reactions with the same kind of certainty they use to express the laws of electromagnetism.

The jury is still out on nearly every question related to our origins, causes and purposes as human beings. It’s too early for certainty – the science is not mature enough, most religions are coming to terms with topics like evolution and cognitive psychology, and the best attitude anybody can have, I believe, is an honest curiosity about the world and other people’s ideas about the world.

I follow the religious tradition of my father, an Indian. I’m a Hindu. But if I changed my mind one day and became an Atheist, or converted to some other philosophy, so what? If I dye my hair blonde and buy new shoes, nobody should question me.

What we believe is an ornament. It’s what we do that counts!

12. People will together build Hexayurts in Helsinki – with sauna! What does this sound like?

Every time a new group of people built a hexayurt, it’s as hard as it can possibly be and still work. The drill runs out of battery, it starts raining, the truck is late or they bring the wrong kind of wood, and the whole thing seems like it’ll never get done. And then, just when people are giving up hope, finally the roof is lifted on to the walls, and screwed down, and suddenly it is done.

I hope they’re ready for that experience, because it always seems to be that way. At least this time when we’re done, we can relax in the Sauna, have a drink of cold water, and say “well, this was a great idea, wasn’t it!”

13. Anything else you’d like to add.

The world is a funny old place. A billion or two of us live in such a high consumption lifestyle that we’re hurting the future for all humans, and yet still feel poor and too busy and too stressed. Five billion people are various kinds of poor, and most of their governments are unspeakably corrupt and inefficient. Yet I still find hope for the future, because I can browse the internet on my phone, talk to people all over the world for free, and wear shoes which correct the human gait, which evolved before shoes were invented, in a way which is healthier for our backs and could have been invented at any time in the last 200 years, but it happened to be now. The world is a place of impossible extremes, and we are all in this together!

by kati at May 03, 2012 07:32 AM

May 02, 2012

Openlab [London]

OpenDay 12 : Saturday 5th May, nnnnn

We are gathering together for an afternoon to present and perform this Saturday, 5th May 2012 @ nnnnn. (map)

 

There are still slots to present / perform if you feel inclined.. The sign up page is here …

http://xwiki.sentinelweb.co.uk/bin/view/OpenNight/Signup

Open night is a night/day of presentations & performances where people can come along and try out their new open-source based creations in front of an audience, or just have a jam (e.g. patch swap, etc). We also have presentations of things people are working on before we start.

So if you been tinkering away and want to show of your work then anyone is free to join in.

 

by siliconeagle at May 02, 2012 12:51 AM

May 01, 2012

Pixelache

Abandoned Mystery project currently based at Nida Art Colony

Abandoned Mystery project currently based at Nida Art Colony

The Abandoned Mystery project seeks to explore those mysterious locations and study their inner logic as an interaction between nature, people, ancient, contemporary, past and future. In cooperation with international partners, the core-group of initiators is organizing a number of field-trips towards abandoned places in Russia, Lithuania, Latvia, and Finland, working from Nida (LT), Aizpute (LV), and Hamina (FI) as 3 temporary bases in 2012. The Finnish camp in Hamina will take place in late August-start of September.

Currently the project is based at Nida Art Colony, Lithuania. The documentation, data and artistic outcomes will be published on their wiki-website http://abandonedmystery.info/, becoming the platform for their cross-disciplinary on-going laboratory and collaborative archive.

This stage of the project, based at Nida Art Colony includes researchers from Lithuania, Russia, England, Norway, and Finland (including myself Jon Irigoyen, from Spain but living permanently in Finland). We visit those abandoned places where time stopped one day, but have always been attractive due to the strength and the mystery that surrounds them. The surroundings of the Nida Art Colony Natural Park have made for an amazing setting as a base camp for these expeditions.Our attention is at present geographically focused on the investigation of Kaliningrad region, Western Lithuania and Kurzme region of Latvia.

In collaboration and support from: Pixelache (FI), Nida art Colony (LT), SERDE (LV), and COBUCE (RU). The project is launched under the umbrella of: Lithuanian Inter­disciplinary Artists’ Association. It is supported by the Nordic Culture Point, Culture Support Foundation, State Culture Capital Foundation and the Goethe Institute in Helsinki.

by jon at May 01, 2012 09:36 PM

7th Stop on Virtuality Grand Tour: G+ Hangout

7th Stop on Virtuality Grand Tour: G+ Hangout

Wednesday May 2nd, 18:00-19:00 EEST/GMT +2

In the 7th Virtuality Grand Tour Stop (and last before Camp Pixelache Virtuality gathering on 11.5.) we are going to play with a toolkit from Google: the G+ Hangout, led by Owen Kelly. Hangout allow to to screenshare, to coordinate Slideshare and YouTube and play group games. We will be looking at the possible value of G+ Hangouts as a pop-up learning resource, with a view to its use at Camp Pixelache and beyond. At first glance it seems much better than Skype or Twitvisio, but to find out if this is actually true or not we need a test team willing to have fun trying to bend it to our collective will!

We will begin at our usual meeting place in Twitvisio where we can share all our information. We can also use this as a fall-back place if the Hangout crashes.

For more info see static & dynamic pages.

by agryfp at May 01, 2012 09:57 AM

BALTAN Laboratories

POST DIGITAL PRINT

21/05/2012 to 02/06/2012 

A series of activities around the publication of Post Digital Print. The Mutation of Publishing Since 1894 by Alessandro Ludovico
A collaboration between Onomatopee, Baltan Laboratories and the Kenniscentrum Creating 010, Hogeschool Rotterdam

From 21 May to 2 June, Alessandro Ludovico will be working as artist-in-residence at Baltan Laboratories and Onomatopee in Eindhoven. During this time he will be exploring the distributed archive and tools for post-digital print, stemming from research presented in his new book. Working with local students, he will build a DIY book scanning machine. For the rest of the residency period he will undertake a number of social experiments involving the book scanner. Several activities have been planned while Alessandro is in Eindhoven, including a workshop on May 30th, and a conference and the launch of the publication at Onomatopee on June 2nd. See the full agenda below.

In the post-digital age, digital technology is no longer revolutionary but a normality, everywhere. For music or film, circulation as bits and bytes, downloads and streams are no longer a big deal. But for the world of book and magazine publishing, change has just begun.

New ways of networked and electronic publishing had been envisioned by avant-garde artists, activists and technologists for more than a century. Even though in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now become a reality. How will analog and digital coexist in the post-digital age of publishing? How will they transition, mix and cross over?

In this book, Alessandro Ludovico rereads the history of avant-garde arts as a prehistory of cutting through the opposites of paper and electronics. He covers, among others, artists’ books and manifests, zines, net art and experimental publishing projects, up to e-readers and print-on-demand.

Alessandro Ludovico is the editor and publisher of Neural, a magazine for new media arts, and lives in Bari, Italy. Since more than twenty years, he has been working at the edges and fringes of print publishing and politically engaged digital art.

ARTIST-IN-RESIDENCE

From 21 May to 2 June, Alessandro Ludovico will be working as artist-in-residence at Baltan Laboratories and Onomatopee in Eindhoven. During this time he will be exploring the distributed archive and tools for post-digital print, stemming from research presented in his new book. Working with local students, he will build a DIY book scanning machine. For the rest of the residency period he will undertake a number of social experiments involving the book scanner. The DIY book scanner is an open source project developed by a community spread all over the world. It gives individuals the opportunity to decide what digital books to read (including old, rare or out of print titles if they can scan them), instead of just buying what the major online stores offer. The book scanner can be used to experiment with new book formats, such as customised anthologies or ‘sampled’ books. Alessandro will explore some of these possibilities with students and the public during his time in Eindhoven.

Visitors to Onomatopee are welcome during the residency period. Specifically, we are also launching an open call for local artists and designers to bring us rare or out of print material that they would like to scan and experiment with in the context of the residency. Drop by Onomatopee on May 24th from 17:00-19:30 with your material and join us for a drink.

Additionally, on May 30th, Alessandro will lead a one-day workshop as part of Baltan’s Tools Series of Baltan Sessions. The Tools Series examines the complex and changing relationships artists and designers have with the technologies and tools they develop, modify or use to create, with an aim to explore social awareness around the tool choices they make as well as the (aesthetic) influences of these choices on the work they create. During the workshop, the book scanner will be used as an input tool to digitise various sources (other books’ chapters and pages, prints of web clips, etc.) and assemble them into book ‘hybrids’, which will then reveal how we can start to proactively create and customise print products, creating new formats.

The whole process will be documented, visualised and published as a supplement to the book, which will be launched on the occasion of the Post-Digital Print conference on 2 June at Onomatopee. During the conference we will reread the book, with invited speakers Alessandro Ludovico, Florian Cramer, Adam Hyde (Floss Manuals), Dusan Barok (Monoskop) and Simon Worthington (Mute Magazine) each covering one chapter of Post-Digital Print based on their own field of expertise.  The conference will be followed by an informal Q&A over a few drinks. More information can be found at http://www.onomatopee.net

AGENDA

20 May 2012
Book launch: Post-Digital Print. The Mutation of Publishing Since 1894 by Alessandro Ludovico
Time: 17:00 – 17:30
Location: Willem de Kooning Academy, Wijnhaven location, Rotterdam

21 May – 2 June 2012
Alessandro Ludovico in residence at Baltan Laboratories and Onomatopee.
Location: Onomatopee, Bleekstraat 23, Eindhoven

24 May 2012
An evening of books and beer. Eindhoven-based artists and designers are invited to join us to share rare or out of print material that they would like to scan and experiment with in the context of Alessandro’s residency.
Time: 17:00 – 19:30
Location: Onomatopee, Bleekstraat 23, Eindhoven

30 May 2012
Baltan Session: The Tools Series #6. The Remixed Book.
A workshop led by Alessandro Ludovico
Time: 11:00 – 17:00 (workshop for max 10-12 participants). Workshop fee: 10 Euro including lunch, drinks and material
17:00 – 19:00 public presentation of workshop results. Entrance: 2 Euro (including drinks).
Location: Onomatopee, Bleekstraat 23, Eindhoven
To join the workshop, send an email to info[AT]baltanlaboratories.org before 28 May.

2 June 2012
Book launch and Post-Digital Print Conference
Location: Onomatopee, Bleekstraat 23, 5611 VB Eindhoven
With: Alessandro Ludovico, Florian Cramer, Adam Hyde (Floss Manuals), Dusan Barok (Monoskop) and Simon Worthington (Mute Magazine).
Organised by Onomatopee and Kenniscentrum Creating 010, Hogeschool Rotterdam
Time: 14:00 – 17:00.
Entrance fee: 10 euro including a copy of Post-Digital Print
For more information, send an email to: ellen[AT]onomatopee.net

by baltan at May 01, 2012 08:55 AM

Baltan Session: The Tools Series #5

23/05/2012 10:00 to 18:30 

FACESPONGE
Workshop led by David Griffiths and Aymeric Mansoux

Date: 23 May 2012
Workshop (for max 10-12 participants): 10:00 – 17:00
Workshop fee: 10 Euro (includes lunch)
Public presentation of workshop results and drinks: 17:00-18:30
Location: TAC (Temporary Art Centre), Vonderweg 1, Eindhoven
To sign up for the workshop, please send an email to info[AT]baltanlaboratories.org by May 21, 2012

Have you ever wondered what is going on “behind the scenes” on social networks like Facebook? In this workshop we will explore our so-called social data and get a glimpse at how it is viewed by the company and third parties who access it. In order to break several myths about Facebook applications, you will be invited to take part in designing small programs that extracts and manipulate you and your friend’s online information. Nothing will be written back to Facebook at any time, we will only be reading existing data. No data will be collected or viewable by anyone else.

No programming experience is required. Basic knowledge of javascript can be useful to explore more advanced possibilities of the Facesponge sandbox.This workshop is part of the Naked on Pluto project, a satirical text adventure Facebook game concerned with issues of online privacy and control within centralized commercial social networks, designed and written by Marloes de Valk, Aymeric Mansoux and Dave Griffiths.

Facesponge is developed in collaboration with Baltan Laboratories.
All Naked on Pluto software is released under free culture licenses.

Schedule:

* Naked on Pluto presentation
* Gameplay session
* Anatomy of an FB app
* Introduction to Facesponge
* Breaking FB apps myths
* Group discussion

Practical information:

* The workshop will be taught in English.
* You will need to bring your own laptop.
* Places are limited.

by baltan at May 01, 2012 08:37 AM

April 30, 2012

Casper Electronics

Casper in Montreal this weekend (May 4th and 5th)

2 performances and 1 workshop. Click links below for more info. -Friday may 4th 8pm- Golden Powers(fbook event may be private. email me for info. pete[at]casperelectronics[dot]com). -Saturday may 5th noon to 4pm- Eastern Bloc circuit bending workshop -Saturday may 5th 10pm- Dissonance Cognitive

by casper at April 30, 2012 05:40 PM

April 28, 2012

Gijs Gieskes

April 27, 2012

Pixelache

Utopia läpäisee Helsingin toukokuussa

Utopia läpäisee Helsingin toukokuussa

Todellisuuden tutkimuskeskuksen kaksivuotinen suurprojekti Utooppinen todellisuus avaa laboratorionsa ovet viikoksi ja kutsuu yleisön Utooppiselle alueelle 9.-15.5.2012.

Utooppinen alue on seitsemän päivän mittainen koe: mitä tapahtuu, kun utopia lävistää elämämme? Voiko arki olla teos ja taide yhteiskuntaa mullistava voima? Voiko yhteinen elämämme olla taiteen kanvaaseista se suurin, merkittävin ja vaikuttavin?

Utooppiselle alueelle pääsee monia reittejä: viikon aikana tapahtumat laajenevat Todellisuuden tutkimuskeskukselta Suvilahdesta kaupunkitilaan, Camp Pixelache -tapahtumaan ja Designpääkaupungin paviljonkiin. Osa tapahtumista ei vaadi ennakkovarausta, osaan saavutaan Utooppisen vastaanoton kautta. Vastaanotto auttaa sinua löytämään itsellesi sopivan koeympäristön. Se on auki tapahtuman aikana joka päivä, joko Utopiapuhelimessa tai tapahtumien yhteydessä. Kaikki tapahtumat ovat maksuttomia.

Ohjelma pähkinänkuoressa (tarkempi ohjelma alla):
Ke 9.5. klo 17-24: Dialogeja. Keskustelutilaisuus ja Utooppisen alueen avajaiset Suvilahdessa.
To 10.5. klo 14-22: Kenttäkokeita 1. Utooppisia kokeiluja Suvilahdessa ja kaupunkitilassa.
Pe 11.5. klo 16-22: Kenttäkokeita 2. Utooppisia kokeiluja Suvilahdessa ja kaupunkitilassa.
La 12.5. klo 10-20: Kenttäkokeita 3. Utooppisia kokeiluja Suvilahdessa ja Camp Pixelachessa.
Su 13.5. klo 12-19: Päiväunia. Leppoisaa unelmointia Katri Valan puistossa.
Ma 14.5. klo 18-21: Strategioita. Tulevaisuutta uutterasti kartoittava Utopiariihi Suvilahdessa.
Ti 15.5. klo 11-20: Epilogi. Kaupunkivisioita Designpääkaupungin paviljongissa.

Lisätiedot ja ilmoittautumiset:
Utopiapuhelin 0400 628 555 Ennen tapahtumaa 8.5. asti ma-pe klo 11-16 Tapahtuman aikana 9.-11. ja 14.5. klo 10-17 Sähköposti utopia@todellisuus.fi

Todellisuuden tutkimuskeskus:
Kaasutehtaankatu 1/33 00540 Helsinki Puh. 0400 641 989 S-posti: info@todellisuus.fi www.todellisuus.fi

—————————-

Tarkempi ohjelma

KESKIVIIKKO 9.5. DIALOGEJA

KOLME KESKUSTELUA UTOPIASTA

Klo 17-20, Illanvietto klo 20-24 Todellisuuden tutkimuskeskus. Suvilahti, Esitystaiteen keskus, Puhdistamo-rakennus, 2. krs.

Utooppinen alue avataan kolmella paneelikeskustelulla Todellisuuden tutkimuskeskuksen tiloissa Suvilahdessa. Keskustelujen kautta syvennytään kolmeen utopian kannalta olennaiseen aiheeseen.

I klo 17-17.45

Mitä utopia merkitsee nykypäivänä? Keskustelijat: Tomas Träskman, Pilvi Toppinen ja Risto Santavuori. Fasilitointi: Tuomas Laitinen.

II klo 18-18.45

Mitä on arkipäivän tekijyys ja kenelle se kuuluu? Onko arki uudelleen luotavissa, ja jos, niin miten? Keskustelijat: Meiju Niskala, Elissa Eriksson ja Mike Pohjola. Fasilitointi: Pekko Koskinen.

III klo 19-19.45

Mitä on vallankumouksellisuus tänä päivänä? Onko sitä, ja missä muodossa? Voiko taide tehdä vallankumouksia?

Keskustelijat: Alan Prohm, Juha Huuskonen ja Pilvi Porkola. Fasilitointi: Saara Hannula.

Klo 20-24

Vapaamuotoinen illanvietto. Utooppinen vastaanotto avoinna koko illan.

TORSTAI 10.5. KENTTÄKOKEITA 1

UTOOPPINEN ALUE KAUPUNKITILASSA

Kaupunkikorkeakoulu

Klo 14-17 Esplanadin puisto

Kaupunkikorkeakoulu on yhteisöllinen, avointa opetusta tarjoava instituutio. Opetus kattaa laajan kirjon eri aiheita runoudesta poliittiseen tieteeseen. Levitämme tietoa sinne, missä sitä tarvitaan – kaduille ja kansalaisille. Opettajamme ovat kaikki oman alansa asiantuntijoita ja ammattilaisia. Ilmoittautuaksesi sinun on vain tultava paikalle.

Vaihtokauppa

Klo 16-19 Paikka varmistamaton

Mitä olisi kaupunki ilman rahaa? Vaihtokauppa kyseenalaistaa rahan vallan ja pystyttää vaihtokauppakojunsa kaupungin keskustaan tarjoten kahvia ja kakkua palveluksia vastaan. Herkkuhetken voi saada itselleen esimerkiksi auttamalla napin ompelussa, kirjoittamalla runon, antamalla pienen hartiahieronnan tai neuvomalla läksyissä. Asiakkaat voivat vaihtaa palveluksia myös keskenään, jos toiveet kohtaavat.

UTOOPPINEN ALUE SUVILAHDESSA

Utoppinen vastaanotto klo 17-22 Utopiakonsultaatio ja Kohtaaminen klo 18-22 Todellisuuden tutkimuskeskus. Suvilahti, Esitystaiteen keskus, Puhdistamo-rakennus, 2. krs.

Torstai- ja perjantai-iltoina Todellisuuden tutkimuskeskuksen päämajalla Suvilahdessa on tarjolla portteja Utooppiselle alueelle. Utopiakonsultaatio, Kohtaaminen ja Tyhjäntoimitus tarjoavat henkilökohtaisia palveluja, joita voi varata Vastaanoton kautta, joko puhelimitse etukäteen tai paikan päältä Suvilahdesta.Utopiakonsultaatio

Utopiakonsultaatio on esityksellisiin metodeihin pohjautuva versio yhteiskunnassa yleisiksi tulleista konsultaatio- ja ohjausmuodoista. Utopiakonsultin tavoitteena on avata uusia mahdollisuuksia ja näköaloja tilanteissa, joissa ajattelu tai toiminta uhkaa urautua, tai joissa tarjolla olevaa mahdollisuuksien kirjoa on eri syistä vaikea hahmottaa. Konsultit käyttävät hyväkseen esitystaiteen piirissä kehitettyjä metodeja ja tekniikoita; konsultoinnin muoto vaihtelee keskustelutilanteesta ohjattuihin tapahtumiin sekä esityksellisiin kohtauksiin ja kohtaamisiin. Esityksellinen kehys antaa asiakkaalle mahdollisuuden kokeilla uudenlaisia tapoja ja rooleja suhteessa arkiympäristöön ja saada kokemuksia siitä millaista elämä voisi olla.

Konsultit työskentelevät tapahtumaviikon aikana kaikissa tapahtumissa sekä tarpeen vaatiessa muina aikoina. Konsultaation voi tilata Vastaanotosta tai Utopiapuhelimesta.

Kohtaaminen

Ihmisten väliset kohtaamiset ovat yksinkertaisia. Meidät synnytetään, vietellään ja haudataan. Me hylkäämme, häpäisemme ja hoivaamme. Jokainen kohtaaminen on palautettavissa arkkityyppisille juurilleen, peruskohtaamiseen.

Kohtaamiset ovat kahdenvälisiä tapaamisia, joissa osallistujat toimivat yhdessä rituaalisen kaavan mukaan. Rituaalikaava mahdollistaa antautumisen kokemukselle sekä kohtaamisen perusmuodon nousemisen esiin. Tilaamalla Kohtaamisen voit palata inhimillisen kanssakäymisen alkulähteille.

Utooppisella alueella on tarjolla kolme kohtaamisen lajia: Hoivaaminen, Ruokkiminen ja Odottaminen. Kohtaamiseen voi osallistua yksi henkilö kerrallaan. Kohtaamisten kestot vaihtelevat.

UTOOPPINEN ALUE SINUN ELÄMÄSSÄSI

Tyhjäntoimitus

Koko päivän, aika ja paikka vaihtelevat tilauksen mukaan. Saatavana myös 13. ja 15.5. Tilaukset Vastaanotosta.

Tyhjäntoimittaja on puhtaan läsnäolon tarjoava henkilö, jonka voi tilata toimittamaan tyhjää yksityishenkilön elämään, yhteisöön, paikkaan tai tapahtumaan.

Tyhjäntoimittaja toimii puhtaassa muodossaan seuraavien perusasetusten mukaan: 1) Tyhjäntoimittaja ei kommunikoi tai puutu tilaajan elämään, vain on. 2) Tyhjäntoimittajalla on vapaa pääsy tilaajan elämään koko yksilöllisesti sovittavan tyhjäntoimitusjakson ajan. 3) Tyhjäntoimittaja on herkkä toimituksen kohteen suhteen ja mukauttaa toimituksen tilanteen vaatimuksiin. 4) Tyhjäntoimittaja on täysin luottamuksellinen.

Tyhjäntoimitus säädetään aina tilaajan tarpeiden mukaan. Tyhjäntoimituspäivät: 10., 13. ja 15.5. Kesto: Tilattavissa 30 minuutin-4 tunnin mittaisena. Paikka: Tilattavissa pääkaupunkiseudun alueelle. Tyhjäntoimitukseen ei ole tarpeen valmistautua millään tavalla, mutta tilaajan on tilauksen yhteydessä ilmoitettava sijaintinsa tyhjäntoimitusjakson aikana.

PERJANTAI 11.5. KENTTÄKOKEITA 2

UTOOPPINEN ALUE KAUPUNKITILASSA

Meidän kaupunki – utooppinen kaupunkiretki

Klo 16 ja 18 Lähtöpaikka ilmoitetaan ilmoittautumisen yhteydessä.

Utopiakonsultin luotsaama kokemuksellinen kaupunkikävely. Pohjustamme yhdessä retken aikana kunkin osallistujan utooppisen ajattelun alustaa, joka nousee kaupungin arkisista yksityiskohdista.

Varaudu n. 1 h ajan liikkumaan kaupunkitilassa. Enintään 5 osallistujaa/retki. Ilmoittaudu ennakkoon Utopiapuhelimeen.

UTOOPPINEN ALUE SUVILAHDESSA

Utoppinen vastaanotto 17-22 Utopiakonsultaatio, Kohtaaminen ja Rakkauden mysteerit klo 18-22 Todellisuuden tutkimuskeskus. Suvilahti, Esitystaiteen keskus, Puhdistamo-rakennus, 2. krs.

Torstai- ja perjantai-iltoina Todellisuuden tutkimuskeskuksen päämajalla Suvilahdessa on tarjolla portteja Utooppiseen todellisuuteen. Utopiakonsultaatio ja Kohtaaminen tarjoavat henkilökohtaisia palveluja, Rakkauden mysteerien kouluopetusta Pöytä-harjoitteen muodossa. Palveluita ja Pöytää voi varata Vastaanoton kautta, joko puhelimitse etukäteen tai paikan päältä Suvilahdesta.

Utopiakonsultaatio

Utopiakonsultaatio on esityksellisiin metodeihin pohjautuva versio yhteiskunnassa yleisiksi tulleista konsultaatio- ja ohjausmuodoista. Utopiakonsultin tavoitteena on avata uusia mahdollisuuksia ja näköaloja tilanteissa, joissa ajattelu tai toiminta uhkaa urautua, tai joissa tarjolla olevaa mahdollisuuksien kirjoa on eri syistä vaikea hahmottaa. Konsultit käyttävät hyväkseen esitystaiteen piirissä kehitettyjä metodeja ja tekniikoita; konsultoinnin muoto vaihtelee keskustelutilanteesta ohjattuihin tapahtumiin sekä esityksellisiin kohtauksiin ja kohtaamisiin. Esityksellinen kehys antaa asiakkaalle mahdollisuuden kokeilla uudenlaisia tapoja ja rooleja suhteessa arkiympäristöön ja saada kokemuksia siitä millaista elämä voisi olla.

Utopiakonsultit työskentelevät tapahtumaviikon aikana kaikissa tapahtumissa sekä tarpeen vaatiessa muina aikoina. Konsultaation voi tilata Vastaanotosta tai Utopiapuhelimesta. Kesto noin 30min.

Kohtaaminen

Ihmisten väliset kohtaamiset ovat yksinkertaisia. Meidät synnytetään, vietellään ja haudataan. Me hylkäämme, häpäisemme ja hoivaamme. Jokainen kohtaaminen on palautettavissa arkkityyppisille juurilleen, peruskohtaamiseen.

Kohtaamiset ovat kahdenvälisiä tapaamisia, joissa osallistujat toimivat yhdessä rituaalisen kaavan mukaan. Rituaalikaava mahdollistaa antautumisen kokemukselle sekä kohtaamisen perusmuodon nousemisen esiin. Tilaamalla Kohtaamisen voit palata inhimillisen kanssakäymisen alkulähteille.

Utooppisella alueella on tarjolla kolme Kohtaamisen lajia: Hoivaaminen, Ruokkiminen ja Odottaminen. Kohtaamiseen voi osallistua yksi henkilö kerrallaan. Kohtaamisten kestot vaihtelevat.

Rakkauden mysteerit

Rakkauden mysteerit on esoteerinen koulu, jonka opetus tähtää universaalin kauneuden kokemukseen. Opetuksen lähtökohtana on Platonin dialogi Pidot, jonka kautta tutkitaan erityisesti rakkauden ja eroottisen kauneuden suhdetta ympäristön ja todellisuuden kokemiseen. Kuka tahansa voi ilmoittautua koulun oppilaaksi; opinnoissa eteneminen edellyttää sitoutumista opetusmenetelmien harjoittamiseen.

Opetuksen ensimmäinen vaihe on Pöytä, joka on sokraattiselle dialektiikalle perustuva opintomuoto, joka noudattaa Platonin esittelemää Rakkauden Tikapuiden rakennetta: se syventää ympäristön havainnoinnin ja keskustelun kautta tapaa, jolla katsojat sisäistävät ympärillään olevaa kauneutta.

Koulun esittely klo 18-18.30 Pöytä klo 19-20 Pöytä klo 20.30-21.30 Pöytään voi osallistua 1-3 henkilöä kerrallaan.

LAUANTAI 12.5. KENTTÄKOKEITA 3

UTOOPPINEN ALUE SUVILAHDESSA

Lasten valta –työpaja

Klo 10-13 Todellisuuden tutkimuskeskus. Suvilahti, Esitystaiteen keskus, Puhdistamo-rakennus, 2. krs.

Saako vallalla leikkiä? Kutsumme teidät, kaikenikäiset lapset, kokeilemaan ja leikkimään valtaa, käyttämään valtaa ja valtautumaan.

Tutkimme yhdessä, mitä kaikkea valta on: minkä väristä, miltä se tuntuu, miten valta liikkuu, millaisia muotoja se saa; mitä vallalla ja vallalle voi tehdä, miten valtaa otetaan ja annetaan.

  • kaiken ikäisille lapsille
  • työpaja tapahtuu toisiinsa kiinnittyvien harjoitteiden ja tehtävien ketjuna, siksi juoneen pääsee parhaiten kun on mukana alusta alkaen
  • työpajan aikana tarjolla on pientä välipalaa

Toinen (ihminen) -demo

Klo 15-15.45 Todellisuuden tutkimuskeskus, Suvilahti, Esitystaiteen keskus, Puhdistamo (Rakennus 6, 2. krs.)

Tervetuloa avoimeen harjoitukseen. Harjoituksen aiheen on imitointi.

”….Toinen (ihminen) on esitys eläytymisestä. Esitys tutkii esineitä, vieraita ihmisiä ja näyttelijäntyötä.

Mitä esine kertoo omistajastaan? Tai jättää kertomatta? Kuka meistä on vieras, outo, toinen? Näyttelijä pystyy eläytymään keneen tahansa, missä tahansa. Vai pystyykö?….”

Esitys on yhteistyö berliiniläisen Club Real –ryhmän kanssa ja sen ensi-ilta on syksyllä 2012. Demo videoidaan. Video tulee ainoastaan työryhmän käyttöön.

UTOOPPINEN ALUE PIKSELIÄHKYSSÄ

Camp Pixelache

Klo 11-20 Arbis, Dagmarinkatu 3

Utooppinen todellisuus vierailee Pixelache Campissa, Do It with Others -teemaan itseään heijastellen.

SUNNUNTAI 13.5. PÄIVÄUNIA

UTOPIKNIK

Klo 12-16 Katri Valan Puisto, Käenkuja 6-8 (lähellä Sörnäisten metroasemaa).

Tällä piknikillä katsomme maailmaa rajattomien mahdollisuuksien maisemana; haaveilemme, keskustelemme raukeasti ja näemme jaettuja päiväunia utopiasta. Tarjolla on utooppisia tekniikoita, hattutemppuja, kuohuviiniä ja pientä naposteltavaa.

MUITA TAPAHTUMIA

Guerillab

Klo 16-19 Aloituspaikkana Todellisuuden tutkimuskeskus. Suvilahti, Esitystaiteen keskus, Puhdistamo-rakennus, 2. krs.

Guerrillab on kenttälaboratorio jonka avulla kaupungin merkitykset ja käyttötavat suunnitellaan uusiksi. Se ei koostu laitteista vaan lähestymistavoista: tekniikoista, joilla kohdatut ympäristöt voidaan nähdä uusien olemistapojen lähtökohtina, rakennusmateriaalina.

Tällä koekerralla kehitämme ja testaamme alustavia tekniikoita kaupunkiympäristössä. Tähtäimenämme on vallata ainakin yksi paikka utooppisen todellisuuden osaksi ja luoda sille uusi käyttökulttuuri. Samalla kaikki osallistujat saavat Guerrilab-tekniikat omaan käyttöönsä, oman arkensa muokkaamisvälineiksi.

MAANANTAI 14.5. STRATEGIOITA

UTOPIARIIHI

Klo 18-21

Todellisuuden tutkimuskeskus. Suvilahti, Esitystaiteen keskus, Puhdistamo-rakennus, 2. krs.

Todellisuuden tutkimuskeskus kehittää toimintaympäristöä, joka muodostaa utooppiselle todellisuudelle strategisen päämajan; paikan, jossa kuka tahansa voi asettua oman elämänsä ja todellisuutensa suunnittelijaksi jakaen samalla prosessiaan muiden kanssa.

Utopiariihessä kehitämme strategista päämajaa itse utooppisen todellisuuden kehityksen kautta: Minkälaisen ympäristön tarvitsemme, kun kehitämme luomuksia arkitodellisuuden sekaan? Miten kehittämiemme luomuksien tulisi jättää jälkensä päämajaan?

Tule mukaan utooppisen todellisuuden kehitykseen ja sen päämajan hahmotteluun. Löydä paikkasi maailmassa luomalla se itse.

TIISTAI 15.5. EPILOGI

UrbanUtopia

Klo 11-14 ja 17-20 Designpääkaupungin paviljonki, Ullanlinnakatu 2–4, Arkkitehtuurimuseon ja Designmuseon välissä

UrbanUtopia lähestyy kaupunkiympäristöä utooppisesta näkökulmasta ja kysyy, mitä se voisi parhaimmillaan olla. Kutsumme kaupunkilaiset sekä kaupunkiympäristön parissa työskentelevät suunnittelijat, asiantuntijat ja taiteilijat yhteiseen prosessiin, jossa etsitään uusia tapoja lähestyä kaupunkia ja sen tulevaisuutta.

Järjestämme Paviljongissa päivän aikana kaksi avointa tapahtumaa, joissa kartoitamme ja aktivoimme Helsingin utooppista potentiaalia; keräämme kaupunkilaisten visioita ja toiveita sekä etsimme yhdessä keinoja niiden toteuttamiseksi. Tapahtumissa päivystää joukko kaupungin utopisointiin erikoistuneita konsultteja ja avustajia, jotka selättävät sitkeimmänkin pessimistin ja häätävät arjesta harmauden.

Tapahtumaan on vapaa pääsy ja siihen voi tulla mihin aikaan tahansa.

by kati at April 27, 2012 10:54 AM