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<i>cinefalcatrua@gmail.com</i>

The Really Free Movie Exhibition is the most politically correct action of Cine Falcatrua, a brazillian group that works in the bordeline between cinema's hyper-authorized architecture and new media's fluid ecology. It consists of screenings of copyleft movies downloaded from the Internet, whose url sources are beforehand revealed to the audience. The spectators are encouraged to download the movies and organize their own exhibitions, becoming curators themselves. All movies exhibited at Piksel06 can be downloaded through <a href="http://cinefalcatrua.wordpress.com/2006/10/01/piksel06/">Cine Falcatrua's blog</a> or Piksel website.

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This exhibition intends to redimension the value of curatorial work, which simply is a process of selection and compositing - just as creating electronic music, for example. Selection and compositing are, as Lev Manovich says and any remix-loving teenager knows by heart, "key operations of digital media", widely available tools for creation in digital environments.

The RFME also works as a critical commentary on the movie theater's transparency. As a medium, the movie theater denies its own existence; it conveys a message (the movie) as if there wasn't any contingent code. The exhibition of internet movies on a big screen reveals the farse behind this situation, showing digital cinema in all its opacity: compression artifacts, pixelization, dvix watermarks.


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<strong>Programme 01 | brazil, tactical media, licensing </strong>

<a href="http://www.brendamake.com/numbers/extra.warning.html">Extra Warning</a>, Brenda Make, 2005

<a href="http://rapidshare.de/files/25066224/falcatrua_320x240-6.avi.html">TV Falcatrua 2.0</a>, Cine Falcatrua, 2006

<a href="http://www.mediasana.org">A Televisão Não Será Revolucionada!?</a>, Media Sana, 2003

<a href="http://muda.radiolivre.org">Rádio Muda</a>, Rádio Muda, 2001

<a href="http://www.archive.org/download/CreativeCommonsCreativeCommonsBrasil/brasilccmovie.mpg">Creative Commons Brazil</a>, Danny Passman, 2005

<a href="http://www.lafkon.net/tc">Trusted Computing</a>, Benjamin Stephan e Lutz Vogel, 2005

<a href="http://www.illegal-art.org/video/popups/union.html">State of the Union</a>, Bryan Boyse, 2001

<a href="http://www.memestreams.net/users/rattle/blogid4839913">Mashin’ of the Christ</a>, Negativland, 2004

<a href="http://www.archive.org/details/Kuvastin">Kuvastin</a>, Tatu Pohjavirta, 2001

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<strong>Programme 02 | bricollage, music, compositing</strong>

<a href="http://waxy.org/archive/2004/11/18/the_grey.shtml">The Grey Video</a>, Ramon &amp; Pedro, 2004

<a href="http://www.demonoid.com/torrents/details/261430">No Business</a>, James Gladman &amp; Negativland, 2005

<a href="http://www.copyrightcriminals.com">Copyright Criminals: This is a Sampling Sport</a>, Ben Franzen &amp; Lembrew McLeod, 2005

<a href="http://www.recombo.art.br">Tá Como o Diabo Gosta</a>, Re:combo, 2005

<a href="http://www.myspace.com/esquadraoatari">Unsquare Beat</a>, Esquadrão Atari, 2005

<a href="http://video.google.com/videoplay?docid=-2977265128963700244">Life Wasted</a>, Pearl Jam &amp; Fernando Apodaca, 2006

<a href="http://primeiraparoquia.cjb.net">A Fluo Dança!</a>, Primeira Paróquia, 2003

<a href="http://primeiraparoquia.cjb.net">Profissão de Fé</a>, Primeira Paróquia, 2003

<a href="http://www.michalevy.com/GIANT_STEPS_56.swf">Giant Steps</a>, Michal Levy, 2001

<a href="http://orange.blender.org">Elephants Dream</a>, Blender Foundation, 2006

<a href="http://www.archive.org/details/bold_venture_rabbit">Remarkably Bold Venture of the Rabbit</a>, Tim Drage, 2000

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<strong>Programme 03 | classics, public domain, fair use</strong>

<a href="http://www.archive.org/details/bb_ill_be_glad_when_youre_dead">I’ll Be Glad When You’re Dead, You Rascal You</a>, Max Fleischer, 1932

<a href="http://www.archive.org/details/Segundo_De_Chomon_Les_Kiriki">Les Kiriki, Acrobates Japonais</a>, Segundo de Chomon, 1907

<a href="http://www.ubu.com/film/bunuel.html">Un Chien Andalou</a>, Luís Buñuel, 1929

<a href="http://www.archive.org/details/STORY_WITHOUT_END">Story Without End</a>, Vicki Bennett, 2005

<a href="http://www.illegal-art.org/video/popups/gimme.html">Gimme the Mermaid</a>, Negativland and Tim Maloney, 2000

<a href="http://www.archive.org/details/willful_infringement_mickey_and_me">Willful Infringement: Mickey and Me</a>, Jed Horovitz, 2005

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<strong>Programme 04 | digital cinema, p2p, piracy</strong>

<a href="http://www.youtube.com/watch?v=PJFG9xmd6T4">O Gilbertinho Prefere Cópias Digitais</a>, Cine Falcatrua, 2005

<a href="http://www.welcometothescene.info">The Scene (ep 101)</a>, Jun Group Productions, 2005

<a href="http://www.opensourcecinema.org/media/view/media/remix">Remix – History of Mashups</a>, Brett Gaylor, 2006

<a href="http://www.illegal-art.org/video/popups/KS.html">The Artwork in the Age of its Mechanical Reproducibility by Walter Benjamin as told to Keith 
Sanborn</a>, Keith Sanborn, 1996

<a href="http://www.stealthisfilm.com">Steal this Film (Part One)</a>, The League of Noble Peers, 2006

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<a href="03 - Kill Bill 03.jpg">High-Res Image</a>

<a href="03 - Kill Bill 01.jpg">High-Res Image 02</a>


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From gif Wed Oct 11 12:25:55 +0200 2006
From: gif
Date: Wed, 11 Oct 2006 12:25:55 +0200
Subject: Contribution from Richard Spindler
Message-ID: <20061011122555+0200@www.piksel.no>

**Im Westen nur Bohnen**

http://propirate.net/nur-bohnen-film/