Piksel participated in the Media Forum organized as part of the Moscow International Film Festival in Moscow 19-23 June 2010.
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Piksel participated in the Archipelagos project arranged by APO33 in Nantes 25-30 May 2010.
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Piksel participated in the OHANDA sessions at the Pixelache Festival 2010, 25-28 March in Helsinki, Finland.
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On sat. 6.2.2010 Piksel was present at the Creative Independents Network Market at CTM10 in Berlin.
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Piksel took part in Organized Networks, a Training Programme for Cultural Network Management organised by RIXC in Riga, Latvia from December 3-5, 2009.
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Gisle Frøysland from Piksel participated in The Future of the Lab - an expert meeting discussing future strategies and forms of artist/media labs arranged by BALTAN Laboratories in Eindhoven from November 30th until December 2nd 2009.
Join in on Piksel09 day program of workshops and presentations: find out what Open Hardware is, interact with the Terms of Service in Web 2.0 applications, and learn how to make a realtime stop-motion performance using ToonLoop. The ChaosLab workshop enters day 2 at ROM8 and the Hackteria workshop is in it’s third and final day. We end the evening at Tårnsalen with an engaging line-up featuring concerts and audiovisual performances: Listen to the sound of meat, see gentlemen boxing to create code – code that produces sound. And see how strobes can be the controllers for a loud concert.
¤ noish_VS_automata
¤ Respirator
¤ He boxed regularly and was strong and very brave and always a perfect gentleman
¤ Psychoid
¤ MSST
¤ Performance for circuit bent toys and meat controllers
A10lab, Area10, Apo33, Noise=Noise, Beyond Signal, Fibrr Records &
Sound Research Practice, Goldsmiths presents:
RAINFOREST IV – DAVID TUDOR
“a collaborative environmental work, spatially mixing the live sounds
of suspended sculptures and found objects, with their transformed
reflections in an audio system. ”
Arougate is an installation that involves the environnement of the space he is invited to hunt in.
Arougate is a digital beast who hunts information, tracks it, feeds on it, and generally reacts to it. Arougate behaves like a wolf when he eats his ‘preys’ ; no one can disturb him without consequence; the combination of a machinic system with the poetic-modelisation of animal reactions creates an uncontrollable noise activity in a specific place.
Arougate is composed of audio, video, data sensor extensions which enable him to hunt in any situation; the bestial mechanism operates fast interactions on the hunted information which is then divided into two layers: the digestive mechanism of the beast’s digital belly and his swift reaction to hunting in a dangerous steppe. The outcome of these interactions is redistributed in space with the help of video & audio signals, spatialized by different devices (speakers, TV radios, wall projection…etc).
When people invade the digital den, they enter simultaneously the beast’s belly and mind, or rather, a strong chaotic mixture of wires (electrical, networked, metal…etc), speakers, machines (nuxbox), radios and others unexpected objects, where vibrations (light and air) come to crash!
